OM System OM-1 Mirrorless Camera Body Only
$ 2,199.99
OM System OM-1 Mirrorless Camera Body Only
Olympus SKU: V210010BU000 | Helix SKU: OYV210010BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
$ 2,799.99
OM System OM-1 Mirrorless Camera with 12-40mm f2.8 II
OM System SKU: V210011BU000 | Helix SKU: OYV210011BU000
Overview
OM SYSTEM OM-1
As the flagship of the mirrorless OM SYSTEM, the OM-1 is equipped with the industry’s latest technology to realize your most creative ideas. Pick it up and be amazed at its compact size, how it fits naturally in your hand and how little effort it takes to lift it. Break free from heavy, bulky cameras and tripods with the world’s best image stabilization system for shooting sharp handheld shots, even in low light. Weather-sealing lets you work without worry in adverse conditions. You’ll have the speed and precision to capture the impossible and take your photos and video to new, exciting places.
STACKED BSI LIVE MOS SENSOR
Get 20MP of exceptional sharpness. Our redesigned Live MOS Sensor delivers a level of image quality that surpasses most full frame cameras.
LOW LIGHT PHOTOGRAPHY
Shoot bright, crisp images indoors and in low light environments with an ISO range that can be ramped up to an astounding 102,400.
EVEN BETTER IBIS
Leave the tripod behind and let the most advanced in-body image stabilization system in the world help you take sharp handheld, telephoto and macro shots.
LIVE ND
Take beautiful dreamy landscape shots using our Live ND Mode that emulates slow shutter speed effects.
HANDHELD HIGH-RES
Need a quick high resolution shot? We’ve moved this feature to dedicated button for taking a 50MP shot with incredible detail and clarity.
LIVE COMP
Capture long exposures of moving subjects like fireworks or light painting without a tripod.
FAST 120FPS EVF
The high-speed Electronic Viewfinder operates at 120fps and helps you clearly see subjects, even in the dark.
1,053 POINT ALL CROSS PIXEL AF
With an astounding 1,053 all cross-type focus points, you’ll track, focus and capture the fastest, most challenging subjects with unparalleled precision.
120FPS BURST RAW, 50FPS AF/AE TRACKING
Talk about blazing speed. Shoot a continuous 120fps of 20MP in RAW and ensure you’ll never miss a critical moment.
IP53 – DUSTPROOF AND SPLASHPROOF
Adverse conditions are a fact of life. The OM-1 is splash-proof, dustproof and comes with an impressive IP53 rating.
SAY NO TO DUST
Change lenses outdoors without worrying about getting the sensor dusty. Our Supersonic Wave Filter shakes dust and dirt away for pristine images.
SHUTTERBUG
The ultimate in durability. Rigorous testing proves that the OM-1’s shutter has a reliable lifespan of more than 400,000 actuations.
4K/60P 10BIT 4:2:0
Shoot in smooth, spectacular ultra-high resolution 4K/60p or capture high-speed, full high definition video at 240p.
ULTIMATE SLOW MOTION
If 120fps at FHD wasn’t enough, how about 240FPS?
OM-LOG LUT
Shoot in OM-Log to capture the maximum amount of dynamic range in challenging conditions and use the LUT to easily grade your color.
Specifications
Specifications
Sensor & Dust Reduction
| Sensor Type | 4/3 Stacked BSI Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 22.9 million |
| Aspect Ratio & Area | 4:3 / 17.4 x 13.0mm |
| Dust Reduction | Super Sonic Wave Filter |
Processor
| Processor Type | TruePic™ X |
Focusing System
| AF System Type | High-speed imager AF: Imager phase detection AF and imager contrast AF used in combination |
| AF Working Range | EV -5.5~19 (ISO approx.100, with a f/2.8 lens) |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (1,053 points), Contrast AF (1,053 points) / All target, Single target (1 point), Small target (9 points), Cross target (39 points), Middle target (63 points), Large target (165 points), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF) Single AF (S-AF+MF) Continuous AF (C-AF) Continuous AF (C-AF+MF) Manual Focus (MF) AF tracking (C-AF + TR) AF tracking (C-AF + TR+MF) Preset MF Starry sky AF (S-AF) Starry sky AF (S-AF+MF) |
| C-AF Tracking Sensitivity Settings | 5 steps |
| C-AF Center Priority | Available |
| C-AF Center Start | Available |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x , 5x , 7x , 10x , 14x |
| Face Detection AF / Eye Detection | Available |
| AI detection AF | Formula cars, rally cars, motorcycles / Aircrafts, helicopters / Bullet trains, standard trains, steam locomotives / Birds / Dogs, cats |
| AF Targeting Pad | Available |
| Magnify MF | Available |
| Peaking Function | Available |
| AF Focus Adj. | Available |
| AF Illuminator | Available |
| Focus Indicator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | 4 modes (S-IS AUTO, S-IS1, S-IS2, S-IS3), OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses) *Lenses without communication function can be registered |
| 5-Axis Sync IS | Available* *When using M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 7.0 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm） Compensation steps (Sync IS): 8.0 *When using the M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO Focal length: 150mm (35mm equivalent: 300mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Shutter Type |
Focal-plane shutter (mechanical shutter) 1/8000 - 60 sec, Live Bulb, LiveTime, Live Composite Electronic first curtain shutter 1/320 - 60 sec *Shutter speed faster than 1/320 sec will be automatically switched to mechanical shutter. Electronic shutter (Silent mode) 1/32000 - 60 sec *Settings for sound, AF illuminator, and flash can be set to ON/OFF separately, default setting is Off for all three Flicker Scan Video recording 1/30 - 1/250.0 Still 1/50.0 - 1/7634 *Video recording S/M mode, Still S/M silent mode only |
| Sequential Shooting Maximum Speed *When using the M.ZUIKO DIGITAL ED 12-40mm f/2.8 PRO |
[Sequential shooting] approx 10 fps with selectable 1-10 fps [Anti-shock sequential shooting] approx 10 fps with selectable 1-10 fps [Silent sequential shooting] approx 20 fps with selectable 5, 10, 15, 20 fps without blackout [Silent sequential shooting SH1] approx 120 fps with selectable 60, 100, 120 fps without blackout *Slower shutter speeds and flash can not be used. [Silent sequential shooting SH2] approx 50 fps with selectable 25, 50, fps without blackout *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. [Pro Capture] approx 20 fps with selectable 5, 10, 15, 20 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH1] approx 120 fps with selectable 60, 100, 120 fps *When in Pro Capture mode, slower shutter speeds and flash can not be used [Pro Capture SH2] approx 50 fps with selectable 25, 50 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. |
| Max. Recordable Pictures in Sequential Shooting | Sequential shooting 10 fps [RAW]: Approx. 139 Sequential shooting 10 fps [JPEG LF]: Approx. 169 Silent sequential shooting 20 fps [RAW]: Approx. 108 Silent sequential shooting 20 fps [JPEG LF]: Approx. 116 Silent sequential shooting SH1 120 fps [RAW]: Approx. 92 Silent sequential shooting SH1 120 fps [JPEG LF]: Approx. 92 Silent sequential shooting SH2 50 fps [RAW]: Approx. 96 Silent sequential shooting SH2 50 fps [JPEG LF]: Approx. 97 |
| Self Timer | Operation time: 12 sec., 2 sec., custom (Wait time: 1-30sec., Shot interval: 0.5/1/2/3sec., Number of shots: 1-10, Every time AF: ON/OFF) |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 5.76M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.48x[*1] - 1.65x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 21mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal / vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±7 level manual brightness control /±7 level manual color temperature control both GM and BA |
| S-OVF (Simulated OVF) | Available |
| Optional Eyecup | Available (EP-18, bundled) |
| Rear Monitor Size | 3.0-inch vari-angle monitor* *Approx 1.62M dots (3:2), electrostatic capacitance touch panel |
| Touch Control | Shutter release Touch AF (AF area selection, AF area size adjustment) Face selection by touch operation AF targeting pad Frame forward/backward Magnified playback Super Control Panel Wi-Fi connection Movie controls |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / GM ±7 levels, BA ±7 levels |
Exposure Control & Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), center-weighted average metering, spot metering*, spot metering with highlight control, spot metering with shadow control *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| ISO Sensitivity | AUTO ISO (default) : LOW (approx.80) ~ 102400 * Upper default ISO 25600 Manual ISO : LOW (approx.80, approx.100), 200 ~ 102400 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Fill-in, Flash Off, Slow sync., Manual* (1/1 (FULL) ~ 1/64) * manual is available only with FL-LM3 |
| Synchronization Speed | 1/250 sec. *When using Super FP: 1/125-1/8000 sec. *When using electronic shutter: 1/100 sec. up to ISO12800, 1/50 sec. for ISO 16000 and higher, and 1/50 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | Triggered and controlled by OM SYSTEM (Olympus) Wireless RC Flash system compatible flashes: FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 3 groups (External flash 2 groups + commander flash) |
| Radio Wireless Control | Available |
Memory & Image Recording (File Format)
| Compatible Memory |
Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) Slot 2: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | RAW (12-bit lossless compression), JPEG, RAW+JPEG |
| Recording Image Size | [RAW] 5184 x 3888 pixels [JPEG] 5184 x 3888 pixels - 1024 x 768 pixels |
|
Dual Card Slot Settings
|
Standard, Auto Switch, Dual Independent, Dual Same |
| Folder Creation and Selection | Available |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* | ±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing & HDR
| Exposure Bracketing | 2, 3 or 5 frames in 0.3/0.7/1.0EV steps selectable, 7 frames in 0.3/0.7EV steps selectable |
| ISO Bracketing | 3 frames in 0.3/0.7/1.0EV steps selectable |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames in 0.3/0.7/1.0EV step selectable |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1. 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking Mode | Available * Compatible with : M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | Available |
| Color Matrix | sRGB, Adobe RGB |
| Art Filter (Variation / Art Effect) |
Pop Art Soft Focus Pale & Light Color Light Tone Grainy Film Pin Hole Diorama Cross Process Gentle Sepia Dramatic Tone Key Line Water Color Vintage Partial Color (18 color selectable) Bleach Bypass Instant Film |
| Live Bulb / Live Time | Update Interval Time - 0.5 sec – 60 sec |
| Live Composite | Update Interval Time - 0.5 sec – 60 sec |
| Interval Mode | *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available Available on making Time-lapse movie automatically |
| Multiple Exposure (number of pictures / function) | 2 frames |
| Fisheye Compensation | 3 styles (can be confirmed in Live View) *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| Live ND (Neutral Density) | Available *Shutter Priority and Manual mode only, flash can not be used, ISO up to 800, the maximum shutter speed is 1/60 (when ND2 is set) and the speed drops if the number of ND steps is raised. |
| Tripod High Res Shot | JPEG (80M) 10368 x 7776 JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Handheld High Res Shot | JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 |
| Keystone Compensation | Available |
Video & Audio Recording
| Video Recording Format / Frame Rate / Compression Method |
MOV(MPEG-4AVC/H.264) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 102Mbps) 60p, 50p / LongGOP(Approx. 202Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 202Mbps), LongGOP (Approx. 27Mbps) 60p, 50p / LongGOP (Approx. 52Mbps) MOV (HEVC/H.265) 4096 × 2160 (C4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 3840 × 2160 (4K) / 30p, 25p, 24p / LongGOP (Approx. 77Mbps) 60p, 50p / LongGOP (Approx. 152Mbps) 1920 x 1080 (FHD) / 30p, 25p, 24p / ALL-I (Approx. 82Mbps), LongGOP (Approx. 22Mbps) 60p, 50p / ALL-I (Approx. 162Mbps), LongGOP (Approx. 42Mbps) |
| Art Filter Movie | Available (Frame rates may drop when certain Art Filters are used) |
| One-push Movie Digital Converter | Approx. 1.4x |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 240, 200, 120, 100fps (1920×1080 / MPEG-4 AVC/H.264) 200, 120, 100fps (1920 x 1080 / HEVC/H.265) |
| IS for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabiliser), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. *While using M-IS1, field of view may be affected. |
| AE Lock | Available |
| Video Exposure Control | Program AE, aperture priority AE, shutter priority AE, manual |
| Grid Lines / Focus Peaking | 4 types of grid lines / 4 colors for focus peaking |
| Zebra Pattern | Available * 2 levels selectable to set |
| Time Code | Rec run/free run, drop frame/non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode / RAW mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). *When recording simultaneously on the camera in 4K/C4K/FHD HS, 4:2:0 is upsampled to 4:2:2. *In RAW mode, output video quality is 4K/C4K 12bit RAW data, frame rate follows movie setting, and sound will be recorded. |
| Movie Picture Mode | Flat, OM-Log400, HLG |
|
Audio Recording Format
|
Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) |
|
High-Resolution Audio recording
|
Stereo linear PCM/24-bit, Sampling frequency 96kHz |
|
Microphone / Speaker
|
Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
|
Microphone Function
|
Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| GPS Info Function | Available (Via GPS smartphone) |
| Wireless Shooting | Live View via smartphone, Remote shutter via smartphone, Remote shutter by Remote controller RM-WR1 |
| Image Share | Available *Marking function for image share is available. Image transfer by operation on OI. Share |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Tethered Shooting | USB connection *Camera can be operated by PC or camera controls Wi-Fi connection (2.4GHz/5GHz) *Transfer of recorded images to PC via access point |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Slovak, Thai |
Image Editing
| Movie Editing Function | Trimming (beginning / end) / In-movie image extraction (4K only) |
| Editing function | RAW data edit, Gradation auto, Monochrome, Sepia, Red-eye fix, Saturation, Resize (1280x960, 640x480, 320x240), Trimming, Image Overlay, Post recording |
| RAW data edit | RAW data edit based on settings of the camera (including Color Creator, Art Filter, ART-BKT) |
| Rating | Available |
Connectivity & Power Requirements
| USB Connector | USB Type-C (USB 3.0 SuperSpeed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe, sync terminal |
| Wireless LAN | Built-in (IEEE 802.11b/g/n/ac) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| Headphone Jack | ⌀3.5 stereo mini jack |
| Battery | BLX-1 Li-ion battery |
| Battery Status Display | Remaining power (10 steps, %, or by-minute display), Shot count, Degradation |
| AC Adapter | Optional F-7AC adapter *Via power battery holder (HLD-10) |
| USB Bus Power | A USB PD bus power can be used *PD compliant Camera: Rev 3.0 Ver 1.0a |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | Available (1/3/5 min, off) |
| Number of Recordable Pictures *With Toshiba SDXU-D032G, IS ON, with no flashes attached, based on CIPA test standards |
Standard mode: 520 Quick sleep mode: 1100 |
| Battery Life for Movie Recording *When repeatedly recording at the maximum time of 29 minutes |
Under standard JEITA testing: 90 When zoom and other operational functions are not used: 160 |
Weights, Dimensions, & Operating
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 599g Approx. 511g (body only) |
| Dimensions | Approx. 134.8mm(W) x 91.6mm(H) x 72.7mm(D) *Based on CIPA standards: excludes protrusions |
| Weatherproof Construction | Splashproof Type / Dustproof: IEC Standard publication 60529 IP53 (applies when the body is used with our splashproof Lens. When used an IP53 lens, performance is IP53, When used with an IPX1 lens, performance becomes IPX1.) Freezeproof: -10℃ |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 - 90% (when in operation) / 10 - 90% (when stored) |
*Prices and specifications are subject to change without notice.
Item Includes
Box Contents:
Body
CB-USB13 USB cable
CC-1 Cable clip
CP-2 Cable protector
Shoulder strap
Instruction manual
Warranty card
BLX-1 Li-ion battery
F-7AC AC adapter
FL-LM3 Flash
OM System OM-5 Mirrorless Camera Body (Black)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Black)
OM System SKU: V210020BU000 | Helix SKU: OYV210020BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera Body (Silver)
$ 1,199.00
OM System OM-5 Mirrorless Camera Body (Silver)
OM System SKU: V210020SU000 | Helix SKU: OYV210020SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Black)
OM System SKU: V210022BU000 | Helix SKU: OYV210022BU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
$ 1,599.99
OM System OM-5 Mirrorless Camera with 12-45mm f/4.0 (Silver)
OM System SKU: V210022SU000 | Helix SKU: OYV210022SU000
Overview
Like Your Favorite Pair of Boots
The OM-5 is not here to be flashy, steal the show, be in the way of your experience or even try to be the sole reason for your adventure. It is rather like your favorite pair of boots that lead you onto trails unknown; that bag that always has what you need or that friend that helps you see the world in a beautifully different way.
Invisible
So compact you barely notice it. A streamlined classic design that disappears in your bag but feels just right to hold.
Durable
Noticeably tough. The OM-5 will tackle anything your adventure can throw at it. There’s no bad weather for storytelling.
Discover
See nature in a new way through computational photography—an ever-expanding photographic journey of discovery.
Stories
When even pictures cannot do a story justice, turn it into a spectacular movie worthy of the journey you made.
A Device of Discovery
Technology is only useful if we use it. The OM-5 has everything you need and nothing you don’t.
While the technology within the camera is impressive, the really exciting part is when it comes together through computational photography and other features. Here are the highlights.
Touch the Sky
With the powers of Starry Sky AF and Live Composite combined, no celestial object is out of reach on your nighttime adventures.
Creative Flow
Class leading image stabilization and computational photography features such as Live ND will open up a new flow of creativity with movement.
Color Your Story
Capture every shade and color your story the way you experienced it with features like HDR, Color Creator, and Art Filters.
Venture Deeper
No camera can tell the story for you but the right bit of kit in the right situation can make all the difference in getting the shot or coming home empty-handed. But remember — sometimes missing the shot is just the thing you need to be able to make the most of the moment. The choice is yours.
4K30
Capture stunning views with a 4K 30p video codec that is easy on the memory card but does not compromise on quality and detail.
Vertical Video
Capture your stories the way you want to show them. Vertical videos means easy editing and easy sharing on mobile platforms.
OM-LOG400
Capture the full range of nature’s beauty with a filmmaking-specific color-grading friendly picture profile.
Specifications
Specifications
Sensor/Dust Reduction
| Sensor Type | 4/3 Live MOS Sensor |
| Effective Pixels | 20.4 million |
| Total Pixels | 21.8 million |
| Aspect Ratio | 4:3 |
| Dust Reduction | Supersonic Wave Filter (image sensor dust reduction system) |
Processor
| Processor Type | TruePic™ IX Image Processor |
Focusing System
| AF System Type |
High-speed imager AF *Imager phase detection AF and imager contrast AF used in combination |
| Focusing Points / Focusing Points Selection Mode | Cross-type phase detection AF (121 points), Contrast AF (121 points) / All target, Single target (Normal), Single target (Small), Group target (5 area), Group target (9 area), Group target (25 area), Custom target* (AF area and its increment steps selectable) *Number of saved custom target settings: 4 |
| Focus Modes | Single AF (S-AF), Single AF+MF (S-AF+MF), Continuous AF (C-AF), Continuous AF+MF (C-AF+MF), Manual Focus (MF), AF tracking (C-AF + TR), AF tracking+MF (C-AF + TR+MF), Preset MF, Starry sky AF (S-AF), Starry sky AF+MF (S-AF+MF) |
| AF Limiter | Available *Up to 3 distance settings can be saved |
| Magnified Frame | 3x, 5x, 7x, 10x, 14x |
| Super Spot AF | Available |
| Face Detection AF / Eye Detection | Available |
| AF Targeting Pad | Available |
| Peaking Function | Available |
| AF Focus Adjust | Available |
| AF Illuminator | Available |
Image Stabilization
| System Type | Built-in 5-axis sensor-shift image stabilization |
| Modes | S-IS AUTO, S-IS1, S-IS2, S-IS3, OFF |
| Focal Length Setting | 11 settings: 10 programmable settings (10 lenses), 1 open setting *Lenses without communication function can be registered |
| 5-Axis Sync IS |
Available *When using the M.Zuiko Digital lenses equipped with image stabilization |
| Stabilization Performance | Compensation steps (Body only): 6.5 *When using the M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO Focal length: 40mm (35mm equivalent: 80mm) Compensation steps (Sync IS): 7.5 *When using the M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO Focal length: 100mm (35mm equivalent: 200mm), halfway release image stabilization Off, Frame rate: High |
Shutter/Sequential Shooting
| Sequential Shooting Maximum Speed |
[Sequential shooting H] approx. 10 fps with selectable 5 -10 fps [Sequential shooting L] approx. 6fps with selectable 1-6 fps [Anti-shock sequential shooting L] approx. 5.5 fps with selectable 1-6 fps [Silent sequential shooting H] approx. 30 fps with selectable 15, 20, 30 fps [Silent sequential shooting L] approx. 10 fps with selectable 1-10fps [Pro Capture H] approx. 30 fps with selectable 15, 20, 30fps * Slower shutter speeds and flash can not be used [Pro Capture L] approx. 10 fps *Slower shutter speeds and flash can not be used. *Compatible lenses are limited. *The minimum aperture is f/8. |
| Max Recordable Pictures in Sequential Shooting | Sequential shooting H 10 fps [RAW]: Approx. 149 [JPEG LF]: Until card is full Sequential shooting L 6 fps [RAW]: Until card is full [JPEG LF]: Until card is full Silent sequential shooting H 30 fps [RAW]: Approx. 18 [JPEG LF]: Approx. 20 Silent sequential shooting L 10 fps [RAW]: Approx. 138 [JPEG LF]: Until card is full |
Viewfinder/Monitor
| Finder Type | Eye-level OLED electronic viewfinder, approx. 2.36M dots |
| Field of View / Viewfinder Magnification | Approx. 100% / Approx. 1.23x[*1] ~ 1.37x[*2] (-1m-1, 50mm lens, Infinity) *1: Finder Style 1, 2 (aspect ratio 4:3) *2: Finder Style 3 (aspect ratio 4:3) |
| Eye Point / Diopter Adjustment Range | Approx. 27mm (-1m-1, Distance from rear lens surface) / -4 ~ +2m-1 |
| Display Grid | Off / normal grid / trichotomy /golden grid / scale / diagonal / movie grid *grid color is selectable |
| Level Gauge | 2-axis (horizontal/vertical) level gauge |
| Finder Style | 3 styles |
| Brightness / Color Temp Control | Adaptive brightness technology (EVF Auto Luminance) / ±2 level manual brightness control /±3 level manual color temperature control |
| Rear Monitor Size | 3.0-inch vari-angle monitor (electrostatic capacitance touch panel), Approx.1.04M dots (3:2) |
| Touch Control | Shutter release, Touch AF (AF area selection, AF area size adjustment), Face selection by touch operation, AF targeting pad, Frame forward/backward, Magnified playback, Live Guide, Super Control Panel, Wi-Fi connection |
| Tilting Capability | Swivel type |
| Brightness / Color Temp Control (Rear Monitor) | ±7 levels / ±7 levels |
Exposure Control/Flash
| Metering System |
Digital ESP metering (324-area multi pattern metering), Center-weighted average metering, Spot metering*, Spot metering with highlight/shadow control* *Also available AF target spot metering |
| Metering Range | Lowest luminance (-2 EV) / Highest luminance (20 EV) *ISO approx. 100, with F2.8 lens |
| Exposure Mode / Shooting Mode | AUTO (Live Guide can be used) Program AE (Program shift can be performed) Aperture priority AE Shutter priority AE Manual Bulb (Live Bulb, Live Time and Live Composite are available) Custom Scene select AE Art Filter |
| ISO Sensitivity | AUTO ISO (default): LOW (approx.64) ‐ 6400 with customizable default and upper limit (200 - 6400) Manual ISO: LOW (approx.64, approx.100), 200 ~ 25600 |
| Exposure Compensation | ±5 EV (adjustable by 1/3, 1/2 or 1 EV steps) *Live View only reflects up to ±3 EV steps |
| AE Lock | Available *Locks with a half-press of the shutter button (can be set to other buttons) |
| Anti-Flicker Shooting | Available |
| Flash Intensity Control Mode | TTL Auto, Manual, Auto, Super FP (FP-TTL AUTO, FP-MANUAL) *Auto and Super FP are available on the external flash |
| Flash Mode | Redeye, Fill-in, Flash Off, Red-eye Slow sync. (1st curtain), Slow sync. (1st curtain), Slow sync. (2nd curtain), Manual (1/1 (FULL) ~ 1/64) |
| Synchronization Speed | 1/250 sec. When using Super FP: 1/125-1/8000 sec. When using electronic shutter: 1/50 sec. up to ISO6400, 1/20 sec. for ISO 8000 and higher, and 1/20 sec. for ISO bracketing |
| Flash Intensity Control | ±3 EV (1/3, 1/2, 1 EV steps selectable) |
| Compatible External Flash | FL-LM3, FL-600R, FL-900R, STF-8, FL-700WR |
| Wireless Flash Control Method | OM SYSTEM (Olympus) Wireless RC Flash system (Triggered and controlled by flash) Compatible external flash FL-600R, FL-900R, FL-700WR |
| External Flash Intensity Type | TTL Auto, Manual, Auto, FP-TTL AUTO, FP-MANUAL |
| Channel No. | 4 channels |
| Group No. | 4 groups (External flash 3 groups + commander flash) |
| Radio Wireless Control | Available |
Memory/Image Recording (File Format)
| Compatible Memory | Slot 1: SD, SDHC (UHS-I / II), SDXC(UHS-I / II) |
| Recording Format | DCF2.0, Exif2.31 |
| File Format | JPEG, RAW(12-bit lossless compression), JPEG+RAW |
| Recording Image Size | RAW: 5184 x 3888 JPEG: 5184 x 3888 ~ 1024 x 768 |
White Balance/Color Mode
| White Balance Mode | Auto WB, 7 WB presets, 4 Capture WB, Custom WB (Kelvin setting) |
| White Balance Compensation* |
±7 steps along A-B / G-M axis * Including Custom WB |
| Color Mode | sRGB, Adobe RGB |
Bracketing/HDR
| Exposure Bracketing | 2, 3 or 5 frames (0.3/0.7/1.0EV steps selectable), 7 frames (0.3/0.7EV steps selectable) |
| ISO Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| White Balance Bracketing | 3 frames (A-B/G-M axis*) *Selectable in 2, 4, 6 steps each |
| Flash Bracketing | 3 frames (0.3/0.7/1.0EV steps selectable) |
| Art Filter Bracketing | i-Enhance, Vivid, Natural, Muted, Portrait, Monotone, Custom, Art Filters, Color Creator, Underwater selectable |
| Focus Bracketing | 3 to 999 frames (step 1 to 10 selectable) Flash charge time (0, 0.1, 0.2, 0.5, 1, 2, 4, 8, 15, 30 sec. selectable) |
| Focus Stacking | Available M.ZUIKO DIGITAL ED 7-14mm F2.8 PRO M.ZUIKO DIGITAL ED 8-25mm F4.0 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO M.ZUIKO DIGITAL ED 12-40mm F2.8 PRO II M.ZUIKO DIGITAL ED 12-45mm F4 PRO M.ZUIKO DIGITAL ED 12-100mm F4.0 IS PRO M.ZUIKO DIGITAL ED 40-150mm F2.8 PRO M.ZUIKO DIGITAL ED 40-150mm F4.0 PRO M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS M.ZUIKO DIGITAL ED 150-400mm F4.5 TC1.25x IS PRO M.ZUIKO DIGITAL ED 8mm F1.8 Fisheye PRO M.ZUIKO DIGITAL ED 30mm F3.5 Macro M.ZUIKO DIGITAL ED 60mm F2.8 Macro M.ZUIKO DIGITAL ED 300mm F4.0 IS PRO M.ZUIKO DIGITAL 1.4x Teleconverter MC-14 M.ZUIKO DIGITAL 2x Teleconverter MC-20 |
| HDR (Auto Composite) | HDR1, HDR2 (painting-like) *ISO sensitivity is fixed at 200, and maximum shutter speed setting is 4 sec. |
| Bracketing for HDR post-process | 3 or 5 frames (2.0 or 3.0 EV steps), 7 frames (2.0 EV steps) |
Creative Features
| Picture Mode | i-Finish, Vivid, Natural, Flat, Portrait, Monotone, Custom, e-Portrait, Underwater, Color Creator, Art Filters |
| Gradation | 4 types (Auto, Normal, High Key, Low Key) *Except when using e-Portrait, Underwater, Art Filters, Color Creator |
| Highlight and Shadow Control | ±7 steps each for highlight, shadow, mid-tone |
| Art Filter (Variation / Art Effect) |
Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line, Water Color, Vintage, Partial Color (18 color selectable), Bleach Bypass, Instant Film |
| Live Bulb / Live Time | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Live Composite | Available *Update interval time 0.5 sec. ~ 60 sec. |
| Interval Shooting | Available *Creating Time-lapse movie is possible with interval shooting up to 999 frames. *Time priority, Frame priority selectable *Exposure smoothing is available |
| Multiple Exposure | 2 frames / auto gain adjustment, exposure on recorded picture (RAW) |
| Fisheye Compensation | 3 Styles *Enabled when M.Zuiko Digital ED 8mm F1.8 Fisheye PRO is used. |
| High Res Shot | Handheld High Res Shot: JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 8160 x 6120 Tripod High Res Shot JPEG (50M) 8160 x 6120 JPEG (25M) 5760 x 4320 RAW 10368 x 7776 |
| Keystone Compensation | Available |
Video/Audio Recording
| Video Recording Format | MOV(MPEG-4AVC/H.264) |
| Movie Mode / Frame Rate / Compression Method | 4096 x 2160 (C4K) 24p / IPB（Approx.237Mbps) 3840 x 2160 (4K) 30p、25p、24p / IPB（Approx. 102Mbps） 1920 x 1080 (FHD) 30p、25p、24p / ALL-I（Approx. 202Mbps）, IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 60p、50p / IPB（Approx. 52Mbps、Approx. 30Mbps、Approx. 18Mbps） 1280×720（HD） 60p、50p、30p、25p、24p / ALL-I（Approx. 102Mbps）, IPB（Approx. 26Mbps、Approx. 14Mbps、Approx. 10Mbps） |
| Maximum Video Recording Time | - |
| Art Filter Movie | Available *Frame rates may drop when certain Art Filters are used. |
| Time-lapse Movie | 3840 x 2160 (4K) / 5fps, 10fps, 15fps, 30fps 1920 x 1080 (FHD) / 5fps, 10fps, 15fps, 30fps 1280 x 720 (HD) / 5fps, 10fps, 15fps, 30fps |
| Quick Movie / Slow Movie | Available |
| High speed movie | 120fps（1920×1080 / MOV） |
| Image Stabilization for Movie | M-IS1 (multi motion IS by Image sensor shift and electronic image stabilizer), M-IS2 (Multi motion IS by Image sensor shift), OFF *Field of view varies when using M-IS1. Using lens which is equipped with image stabilization can be given top priority. |
| AE Lock | Available |
| Time Code | Rec run / free run, drop frame / non-drop frame |
| Live View Output via HDMI | Monitor mode / Record mode *In monitor mode, the image can not be enlarged on the camera when a movie is being recorded. *In record mode, 4K / C4K can not be set. *In record mode, movie quality can be set to YCbCr 4:2:2 (8 bit). |
| Movie Picture Mode | Flat, OM-Log400 |
| Audio Recording Format | Wave Format (Stereo linear PCM/16-bit, Sampling frequency 48kHz) High-Resolution Audio recording Stereo linear PCM/24-bit, Sampling frequency 96kHz |
| Microphone / Speaker | Built-in stereo microphone / built-in mono speaker *External stereo microphone can be attached |
| Microphone Function | Wind noise reduction, recording volume, microphone volume limiter *Audio dubbing possible for still pictures (up to 30 sec.) |
Operability
| Wireless Shooting | Live View, Rec View, Wireless Touch AF shutter, Self Timer (w/ Countdown guidance, Sequential shooting, movie recording capability), Wireless Release, Movie Recording, Power Off |
| Image Share | Available *Marking function for image share is available. |
| Easy Connection | Connect using a QR code Connect using Bluetooth (View, Transfer only) |
| Playback Mode | Single-frame, Information display, Index display (4/9/25/100 frames), Calendar, Enlargement (2x ~ 14x), Movie (with sound, FF/REW/Pause), Picture rotation (auto) |
| Information Display | Histogram (independent luminance / RGB available), Highlight/Shadow point warning, AF frame, Photographic information, OFF |
Custom
| Mode dial my set | 1 type (Modes C can be accessed by mode dial) |
| Menu custom set | C2, C3 and C4 |
| Lever customization | Select assignment from 3 different modes, power switch, or off (no function assignment) |
| Button Customization | Buttons can be customized (select from 35 functions) Buttons on lenses can also be customized from the camera Some buttons may have restrictions to what functions can be assigned |
| Menu Languages (18 selectable) | English, French, German, Spanish, Italian, Japanese, Traditional Chinese, Simplified Chinese, Russian, Czech, Dutch, Polish, Portuguese, Swedish, Norwegian, Finnish, Turkish, Thai |
Connectivity/Power Requirements
| USB Connector | USB Micro-B (USB2.0 Hi-Speed) |
| Remote Connector | ⌀2.5Pin Jack (Optional remote cable RM-CB2, remote controller RM-WR1 can be used) |
| HDMI Connector | Micro HDMI (type D) |
| Flash Attachment | Hot shoe |
| Wireless LAN | Built-in (IEEE 802.11b/g/n) |
| Bluetooth | Built-in (Bluetooth Ver.4.2 Bluetooth Low Energy) |
| MIC Input Jack | ⌀3.5 stereo mini jack (plug-in power on/off) |
| PC Interface | USB Micro-B (USB2.0 Hi-Speed) |
| Battery | BLS-50 Li-ion battery |
| Battery Status Display | Remaining power (4 steps) |
| USB Charging | Built-in battery can be charged with USB * When the camera power is off * Performance varies depending on different USB devices |
| Sleep Mode | 1/3/5 min., Off |
| Number of Recordable Pictures | Standard mode: 310 shots / Quick sleep mode: 660 shots *With KIOXIA KSDXU-A064G, IS ON, with no flashes attached, based on CIPA test standards |
| Battery Life for Movie Recording | Under standard JEITA testing: 60 minutes When zoom and other operational functions are not used: 110 minutes |
Weights & Dimensions
| Weight |
Based on CIPA standards, with 1x BLX-1 battery and 1 memory card, without eyecup): 414g Body only: 366g |
| Dimensions | Approx. 125.3mm(W) x 85.2mm(H) x 49.7mm(D) *Based on CIPA standards: excludes protrusions |
| Environmentally Sealed | Dust, Splash, Freezeproof |
| Operating Temperature Range | -10℃ ~ +40℃ (when in operation), -20 ~ +60℃ (when stored) |
| Operating Humidity Range | 30 ~ 90% (when in operation), 10 ~ 90% (when stored) |
*Prices and Specifications are subject to change without notice.
Item Includes
Box Contents:
Body, USB cable, Shoulder strap, Instruction manual, Warranty card, BLS-50 Li-ion battery, F-5AC AC adapter
ProMaster Body Cap - 4/3
$ 9.95
ProMaster Body Cap - 4/3
ProMaster SKU: 4344 | Helix SKU: PR4344
Overview
ProMaster Body Caps keep dust and dirt out of your camera body when you are storing it with the lens removed.
ProMaster Body Cap - Micro 4/3
$ 9.95
ProMaster Body Cap - Micro 4/3
ProMaster SKU: 7130 | Helix SKU: PR7130
Overview
ProMaster Body Caps keep dust and dirt out of your camera body when you are storing it with the lens removed.
ProMaster Olympus BLM-5 Li-ion battery
$ 79.00
ProMaster Olympus BLM-5 Li-ion battery
ProMaster Olympus LI-12BLi-ion battery
$ 59.00
ProMaster Olympus LI-12BLi-ion battery
ProMaster Olympus Li-70B Li-ion battery
$ 69.95
ProMaster Olympus Li-70B Li-ion battery
ProMaster Olympus LI-90B Li-ion battery
$ 59.95
ProMaster Olympus LI-90B Li-ion battery
ProMaster Rear Lens Cap - 4/3
$ 9.95
ProMaster Rear Lens Cap - 4/3
ProMaster SKU: 4309 | Helix SKU: PR4309
Overview
ProMaster Rear Lens Caps protect the rear element of you lens from dust, smudges and scratches when your lens is not mounted on your camera.
ProMaster Rear Lens Cap - Micro 4/3
$ 9.95
ProMaster Rear Lens Cap - Micro 4/3
ProMaster SKU: 7116 | Helix SKU: PR7116
Overview
ProMaster Rear Lens Caps protect the rear element of you lens from dust, smudges and scratches when your lens is not mounted on your camera.
ProMaster Replacement Rechargeable Li-Ion Battery for Nikon EN-EL10, Fuji NP-45S, & Olympus LI-42B
$ 29.95
ProMaster Replacement Rechargeable Li-Ion Battery for Nikon EN-EL10, Fuji NP-45S, & Olympus LI-42B
Overview
ProMaster batteries are a high quality, long lasting power source for your digital camera or camcorder.
Specifications
- Voltage: 3.6 V
- Capacity: 700 mAh / 2.52 Wh
- Dimensions: 40 mm x 31 mm x 6 mm
- Weight: 17 g
Item Includes
ProMaster Traveler+ Charger for most Interchangeable Lens Cameras
$ 39.95
ProMaster Traveler + Charger for most Interchangeable Lens Cameras
ProMaster SKU: 9176 | Helix SKU: PR9176
Overview
The ProMaster Traveler + Lithium Ion Battery Charger is a versatile, compact, go anywhere charger for your Li-ION digital camera and camcorder batteries. The Traveler + charger features a built in switching power supply that can be powered from either 110v - 240v AC or 12V DC (optional DC power cord required) for true worldwide compatibility. Combined with the USB power output port and its compact size, it makes a PERFECT solution for those on the go or to use at home. The ProMaster Traveler + charger is available in models to fit most Li-ION digital camera batteries.
• Charges most batteries in 2 hours or less.
• Compact and light weight with no wires and no A/C adapters. Simply plug it in and charge your battery.
• Power with 110v - 240v AC or 12v DC (optional cord required)
Specifications
Input Power: 100 - 240 V AC, 50/60 Hz | 12 - 24 V DC (for DC In Socket)
Output Power: 4.2 V / 8.4 V DC, Max. 750 mA (with auto detection) | 5.0 V DC Max. 650 mA (for USB Power Port)
This charger will charge the following Canon batteries:
- BP-2L12
- BP-2L13
- BP-2L14
- BP-2L18
- BP-511
- BP-511A
- BP-512
- BP-522
- BP-535
- LP-E10
- LP-E12
- LP-E17
- LP-E5
- LP-E6
- LP-E8
- NB-2L
- NB-2LH
This charger will charge the following Fuji batteries:
- NP-140
- NP-150
- NP-W126
This charger will charge the following Minolta batteries:
- NP-400
This charger will charge the following Nikon batteries:
- EN-EL14
- EN-EL15
- EN-EL20
- EN-EL21
- EN-EL24
- EN-EL3
- EN-EL3a
- EN-EL3e
- EN-EL9
This charger will charge the following Olympus batteries:
- BLH-1
- BLM-1
- BLM-5
- BLN-1
- BLS-1
- BLS-5
- BLS-50
This charger will charge the following Panasonic batteries:
- DMW-BLF19
- DMW-BLC12
- DMW-BLE9
- DMW-BLG10
- DMW-BLH7E
This charger will charge the following Pentax batteries:
- D-Li109
- D-Li50
- D-Li68
- D-Li90
This charger will charge the following Ricoh batteries:
- DB-90
This charger will charge the following Samsung batteries:
- BP1030
- BP1310
- BP1410
- SLB-1674
This charger will charge the following Sony batteries:
- NP-FM500H
- NP-FW50
- NP-FZ100
Item Includes
ProMaster Traveler+ Charger for most Olympus & Sanyo Batteries
$ 39.95
ProMaster Traveler + Charger for most Olympus & Sanyo Batteries
ProMaster SKU: 3042 | Helix SKU: PR3042
Overview
The ProMaster Traveler + Lithium Ion Battery Charger is a versatile, compact, go anywhere charger for your Li-ION digital camera and camcorder batteries. The Traveler + charger features a built in switching power supply that can be powered from either 110v - 240v AC or 12V DC (optional DC power cord required) for true worldwide compatibility. Combined with the USB power output port and its compact size, it makes a PERFECT solution for those on the go or to use at home. The ProMaster Traveler + charger is available in models to fit most Li-ION digital camera batteries.
• Charges most batteries in 2 hours or less.
• Compact and light weight with no wires and no A/C adapters. Simply plug it in and charge your battery.
• Power with 110v - 240v AC or 12v DC (optional cord required)
Specifications
This charger will charge the following Olympus batteries:
- Li-10B
- Li-12B
- Li-20B
- Li-30B
- Li-40B
- Li-42B
- Li-50B
- Li-60B
- Li-70B
- Li-90B
This charger will charge the following Sanyo batteries:
- DB-L10
- DB-L20
- DB-L30
- DB-L40
- DB-L50
- DB-L70
- DB-L80
- DB-L90
Item Includes
ProMaster Wired Remote Shutter Release Cable - Olympus UC-1
$ 19.95
ProMaster Wired Remote Shutter Release Cable - Olympus UC-1
ProMaster SKU: 1803 | Helix SKU: PR1803
Overview
ProMaster offers a complete line of wired remote shutter release cables to cover almost every popular DSLR and film SLR. The innovative modular design allows the maximum flexibility in working distances. Many cameras offer built-in infrared remote capability but limit the use of your remote to standing in front of the camera. A wired remote cable allows more freedom to work from any position. The ProMaster Wired Remote Shutter Release Cable is fully compatible with all shutter release functions including pre-focus and timed exposure.
Features:
- Fully compatible with all shutter release functions including pre-focus and timed exposure
- Modular construction allows maximum flexibility in working distance
- Includes camera connector cable and extension for up to 6’ working distance
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