Atomos Ninja V - 5" 4Kp60 Monitor Recorder
$ 599.00 - Sold Out
Atomos Ninja V - 5" 4Kp60 Monitor Recorder
Overview
Eliminate your camera’s internal compression and time limits – record up to 4Kp60 10-bit HDR video direct from your camera's sensor over HDMI 2.0. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive! And when you’re done, your edit-ready ProRes and DNxHR recordings are stored on affordable SSD drives.
The Ninja V displays 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. See your images clearly in daylight on the near edge-to-edge anti-reflection screen. Ninja V can be calibrated for perfect color accuracy every time, and also enables playout to HDR or SDR TV.
The new Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000 nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 320g and measuring only 25mm thick – easily attaching to any camera rig.
AtomOS allows accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't complete until checked; Ninja V allows instant playback, slow motion and frame-by-frame analysis for immediate review.
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
Ninja V files are available immediately on your Mac or PC. Tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere and Avid Media Composer. Both video and gaming workflows are supported for the fastest path to your audience.
We have worked closely with our drive partners at Angelbird and Sony to bring you the AtomX SSDmini. These tiny drives are only 7mm high and 80mm long. They retain the same SATA III connector as traditional SSDs and they are backward compatible with our range of Ninja, Shogun and Sumo devices.
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard. The expansion system offers endless scalability and is demonstrated by the first of many modules - the AtomX Ethernet/NDI® $199 and the AtomX Sync $149 announced at IBC 2018. These dock into the AtomX port and instantly add important features like NDI® over ethernet and Wireless Sync and Bluetooth control to the Ninja V.
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.
Specifications
| Weight | |
|---|---|
| Without batteries & media | 360g / 12.7oz |
| With batteries & media | - |
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
| Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power | |
|---|---|
| Operating power | 10 - 19W |
| Compatible batteries | NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) | 5200mAh - up to 2hrs (monitor & record 4K +60p) |
| 7800mAh - up to 3hrs (monitor & record 4K 60p) | |
| DC In | |
| Continuous power * Patent pending |
Continuous power with external adaptor* |
| Touchscreen | |
|---|---|
| Size | 5” |
| Resolution | 1920 x 1080 |
| PPI | 427 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ10k, HLG |
| HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1000nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | - |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | - |
| SDI to HDMI | - |
| AtomXpansion Video Audio Power Extender In/Out | |
|---|---|
| Video | Up to 4Kp60 |
| Audio | 12 channels digital 24-bit 96KHz |
| Power | 5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i, 720p; 50/60p |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | - |
| Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out | 3.5mm |
| Built-in speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | - |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock / LTC | Yes / - / - |
| CDNG (Recorded content) | N/A |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Ninja V unit, Master Caddy II x 1, 12V-3A AC power supply |
| Optional extras |
Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, EVA case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood Power Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
Atomos SUMO19 - 19" HDR Production Monitor - Recorder
$ 1,995.00 - Sold Out
Atomos SUMO19 - 19" HDR Production Monitor - Recorder
Atomos SKU: ATOMSUMO19 | Helix SKU: ATOMSUMO19
Overview
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Live switch four 1080p channels and record each, plus the program out, as separate ISOs. Switch between feeds intuitively on-screen with cueing, cross fade and hard cuts. Use XML Metadata tags to generate instant multi-camera edits that replicate on your timeline for easy adjustment. Save space by replacing several boxes in your rack with a single Sumo19.
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.
Specifications
| Weight | |
|---|---|
| Without batteries, media & stand | 5.45kg / 12.0lb |
| With stand | 6.0kg / 13.2lb |
| Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
| Construction | Aluminium alloy chassis with built in armor protection |
| Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
| Power | |
|---|---|
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
| Input voltage (battery) | 14.4V nominal |
| Battery time | Depends on Watt Hours specification of battery used |
| DC In | 1 x DC in (12 - 16.8V) |
| Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
| Touchscreen | |
|---|---|
| Size | 19” |
| Resolution | 1920 x 1200 |
| PPI | 120 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1200nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Raw to: ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
| Headphone Out | 3.5mm |
| Built-in Speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock | Yes / Yes |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
Dot Line Flo Pod Video Stabilizer
$ 259.95
Dot Line Flo Pod Video Stabilizer
Dot Line SKU: RS-3124 | Helix SKU: DLRS3124
Overview
Dot Line Flo Pod Video Stabilizer by RPS Studio
Rode Directional Microphone for iPhone and iPad VideoMic Me
$ 59.00 - Sold Out
Rode Directional Microphone for iPhone and iPad VideoMic Me
The VideoMic Me is a compact and lightweight, high-quality directional microphone with that connects directly to the iPhone TRRS microphone/headphone socket. Its flexible mounting bracket accommodates a wide range of smartphones and allows the microphone to be fitted for primary camera or front camera ('selfie') use. A 3.5mm headphone jack on the rear allows for play-through of audio while recording (app dependent) as well as easy playback of your videos without having to remove the microphone. The VideoMic Me includes a deluxe furry windshield for shooting outdoors or in adverse weather.
| Acoustic Principle | Pressure Gradient |
| Active Electronics | JFET impedance converter |
| Capsule | 0.50" |
| Polar Pattern |  |
| Address Type | End |
| Frequency Range | 100Hz - 20kHz |
| Maximum SPL | 140dB SPL (@ 1kHz, 1% THD into 1KΩ load) |
| Sensitivity | -33.0dB re 1 Volt/Pascal (22.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
| Equivalent Noise Level (A-weighted) | 20dB-A |
| Power Options | |
| Weight | 34gm |
| Dimensions | 38mmH x 21mmW x 80mmD |
| Output |  |
| Warranty | 1 year with free extension to 2 years following registration |
Saramonic 96-Channel Bodypack Transmitter Unit - TX9 (UwMic9 Lavalier Microphone)
$ 129.00 - Sold Out
Saramonic 96-Channel Bodypack Transmitter Unit - TX9 (UwMic9 Lavalier Microphone)
MFR SKU: UWMIC9TX9 | Helix SKU: SRUWMIC9TX9
Overview
The Saramonic TX9 is a wireless UHF bodypack transmitter and clip-on lavalier microphone bundle that provide stellar, broadcast-quality sound and are fully compatible with the dual-channel UwMic9 RX9 receiver (sold separately). The TX9 works right out of the box and is extremely easy to use. It’s ideal for DSLRs, video cameras or portable audio recorders for capturing interviews, film dialog, field recording, broadcast TV, news gathering, vlogging, YouTube videos and more. The TX9 features sturdy metal construction and delivers excellent sound quality in a low-cost package. It’s ultra-compact, lightweight, and easy to bring with you on every shoot.
The TX9 syncs with the RX9 receiver (sold separately) wirelessly through easy-to-use infrared sensors. The easy-to-read backlit LCD display lets you make quick adjustments to the intuitive menus in the brightest or darkest environments. The transmitter can be muted with the press of a button to give the person wearing it complete privacy, and the buttons can be “locked” when in use to prevent accidental muting or powering off.
This transmitter can be used with line-level audio, such as an output from a mixer. This can be useful at weddings and other events where you need to wirelessly transmit crystal-clear audio from a soundboard. The RF power output of the TX9 transmitter is also selectable. The “Low” setting lets you extend battery life in situations where the subject is close to the receiver. Medium and High are useful when the subject is going to be further away, or when you’re using the TX9 in an environment with more potential interference.
The included SR-M1 clip-on lavalier microphone features an omnidirectional pickup pattern that’sideal for use in video production because it captures sound equally no matter what direction it’s pointing when clipped to clothing.The microphone was designed to capture rich, crystal-clear sound and the transmitter features a locking BMP-type 1/8" (3.5mm) mic input to prevent the micfrom accidentally being unplugged. The UwMic9 TX9 is a high-quality transmitter with professional features, excellent sound quality, and an unbeatable budget-friendly price.
- Broadcast-quality UHF wireless beltpack transmitter and lavalier microphone for the RX9 dual receiver (sold separately)
- Works right out of the box with easy plug-and-play operation, lavalier mic, mic clip, foam windscreen, and belt clip are all included
- Professional SR-M1 omnidirectional lavalier microphone provides natural sound that’s ideal for video production
- Durable all-metal construction with easy-to-read backlit LCD display and easy-to-use menus and controls
- Offers up to 330-foot (100m) operating distance with infrared that makes it easy to sync channels with receiver
Specifications:
Wireless Frequency Range: 514 MHz - 596 MHz
Oscillator Type: PLL synthesizer
Input: Locking 1/8” (3.5mm) TRS mini-jack
Reference audio input level: –60 dBV (MIC input, 0 dB attenuation)
Antenna: 1/4 λwire antenna
Signal to Noise Ratio: 70 dB or more
Voice Delay: 12 ms
Reference Deviation: +/- 5 kHz (-60 dBV, 1 kHz input)
Frequency Response: 40 Hz to 18 kHz (+/- 3dB)
Distortion: 0.5% or less
Spur Suppression: -60 dB
Batteries: 2 LR6/AA size batteries
Dimensions: 6.73 x 2.5 x 1.18” (170.9 x 63.5 x 30.0mm)
Weight: 7.46 oz (211.4g) (without batteries)
In The Box:
1 x TX9 belt-pack transmitter
1 x SR-M1 omnidirectional lavalier mic
1 x Alligator-style lavalier mic clip
1 x Fitted foam windscreen
1 x Belt clip
1 x SR-UMBC1 battery compartment
1 x Printed user manual
1 x Warranty card
Optional Accessories (Sold Separately):
- LM-WS Fur Windjammer for SR-M1 Lavalier 3-Pack
- SR-LMWS3 Replacement Foam Windscreens 3-Pack
- WM4C-MC1 Replacement Mic Clip
- SR-UMBC1 Replacement Battery Compartment
- SR-XM1 Swiveling Omnidirectional Condenser Microphone
- SR-UM10-MC2 Replacement Belt Clip
- SR-UM10-M1 Replacement SR-M1 Lavalier
- SR-RX9 UwMic9 Dual-Channel Camera-Mountable Receiver
Saramonic TX-XLR9 Plug-on XLR Transmitter for UwMIC9 Digital UHF Wireless Microphone System
$ 149.00
Saramonic TX-XLR9 Plug-on XLR Transmitter for UwMIC9 Digital UHF Wireless Microphone System
MFR SKU: UWMIC9TXXLR9 | Helix SKU: SRUWMIC9TXXLR9
Overview
The Saramonic TX-XLR9 is a wireless UHF plug-on transmitter that makes any kind of XLR microphone wireless and provides stellar, broadcast-quality sound. You can easily attach a handheld interview microphone (such as the Saramonic SR-HM7), or any other kind of XLR microphone and use it wirelessly. The TX-XLR9 can also provide +48V phantom power, allowing you to use any kind of condenser microphone wirelessly, such as the Saramonic SR-TM1 shotgun microphone. It’s ideal for use with DSLRs, video cameras or portable audio recorders for capturing interviews, film dialog, field recording, broadcast TV, news gathering, vlogging, YouTube videos and more. It features sturdy metal construction and delivers excellent sound quality at an affordable price. The TX-XLR9 is ultra-compact, lightweight, and easy to bring with you on every shoot.
The TX-XLR9 is designed to be used with the Saramonic UwMic9 RX9 dual-channel wireless camera-mountable receiver (sold separately). The RX9 enables you to have two on-camera subjects with their own wireless microphones by adding either a TX9 beltpack transmitter and clip-on lavalier microphone, an HU9 Handheld Microphone, or an additional TX-XLR9 transmitter and a handheld XLR microphone.
The TX-XLR9 is built tough with sturdy metal construction, features a locking XLR connector to hold the attached microphone firmly in place, and it syncs with the RX9 receiver wirelessly through easy-to-use infrared sensors. The easy-to-read backlit LCD display lets you make quick adjustments to the intuitive menus in the brightest or darkest environments. The TX-XLR9 can be muted with the press of a button, and a flashing red LED reminds you that it’s muted. The buttons can be “locked” when in use to prevent accidental muting or powering off.
The TX-XLR9 transmitter also features a selectable RF power output. The “Low” setting lets you extend battery life in situations where the subject is close to the receiver. Medium and High are useful when the subject is going to be further away, or when you’re using the TX-XLR9 in an environment with more potential interference. The TX-XLR9 is a high-quality piece of equipment with professional features, excellent sound quality, and an unbeatable budget-friendly price.
- Broadcast-quality UHF wireless plug-on transmitter for the dual-channel RX9 receiver (sold separately)
- Makes any microphone wireless and provides +48v phantom power to condenser microphones
- Works right out of the box with easy plug-and-play operation
- Durable metal construction with Easy-to-read backlit LCD display, easy-to-use menus and controls and locking XLR connector that keeps the connected microphone firmly attached
- Offers up to 330-foot (100m) operating distance with infrared that makes it easy to sync channels with receiver
Channels: 96 selectable channels in 2 groups (A and B)
Wireless Frequency Range: 514 MHz - 596 MHz
Oscillator Type: PLL synthesizer
Input: Locking XLR Connector
Phantom Power: Selectable +48V Phantom Power (On/Off)
Reference audio input level: –60 dBV (MIC input, 0 dB attenuation)
Antenna: 1/4 λwire antenna
Signal to Noise Ratio: 70 dB or more
Voice Delay: 12 ms
Reference Deviation: +/- 5 kHz (-60 dBV, 1 kHz input)
Frequency Response: 40 Hz to 18 kHz (+/- 3dB)
Distortion: 0.5% or less
Spur Suppression: -60 dB
Batteries: 2 LR6/AA size batteries
Dimensions: 4.15 x 1.69 x 1.37” (105.5 x 43 x 34.7mm)
Weight: 4.87 oz (138g) (without batteries)
In The Box:
1 x TX-XLR9 plug-on transmitter
1 x SR-UMBC1 battery compartment
1 x Printed user manual
1 x Warranty card
Optional Accessories (Sold Separately):
- SR-HM7 Cardioid Dynamic Handheld Interview Microphone
- SR-TM1 Cardioid 11” Cardioid Shotgun Microphone
- SR-TM7 Super-Cardioid 15” Cardioid Shotgun Microphone
- SR-NV5 Cardioid 6.5” Shotgun Microphone
- XLavMic-O Omnidirectional Lavalier with XLR Connector
- XLavMic-C Cardioid Lavalier with XLR Connector
- SR-UMBC1 Replacement Battery Compartment
- SR-RX9 UwMic9 Dual-Channel Camera-Mountable Receiver
SARAMONIC UWMIC15 16-CHANNEL UHF WIRELESS LAVALIER MICROPHONE SYSTEM WITH PORTABLE CAMERA-MOUNTABLE WIRELESS RECEIVER
$ 149.00 - Sold Out
SARAMONIC UWMIC15 16-CHANNEL UHF WIRELESS LAVALIER MICROPHONE SYSTEM WITH PORTABLE CAMERA-MOUNTABLE WIRELESS RECEIVER
MFR SKU: UWMIC15 | Helix SKU: SRUWMIC15
Overview
The Saramonic UwMic15 is a portable, camera-mountable wireless microphone system that utilizes the UHF (Ultra High Frequency) spectrum and provides stellar, broadcast-quality sound in a package that’s substantially more affordable than other UHF wireless systems. The included RX15 receiver and TX15 beltpack transmitter are both compact and lightweight, and the SR-M1 clip-on lavalier microphone sounds excellent and is visually discreet when clipped to collars and clothing. The UwMic15 system is perfect for DSLRs, mirrorless cameras, video cameras or portable audio recorders for capturing interviews, film dialog, field recording, broadcast TV, news gathering, vlogging, YouTube and more.
It works right out of the box and is remarkably easy to use. You just connect the microphone, turn on the power and go. The RX15 receiver features a headphone output, enabling real-time audio monitoring if your camera lacks a headphone jack. The UHF spectrum helps you avoid interference, and the 555-579 MHz range is not impacted by the FCC’s ban of the 600 MHz frequencies. Easy-to-read backlit LCD displays let you make quick adjustments to the intuitive menus in the brightest or darkest environments. There are 16 channels available, which allows you to run multiple sets of UwMic15 systems at the same time. If you ever have an issue with interference and need to change channels, built-in infrared makes synchronizing easy.
The power button on the TX15 beltpack transmitter can easily be set to “locked” to prevent it from accidentally being turned off when in use. If the person wearing the microphone needs privacy, a quick push of a button turns on a muting feature, and a flashing red LED reminds you to unmute it afterward. The system offers an impressive operating range of up to 330-feet (100m).
This kit includes both 1/8“ (3.5mm) and XLR output cables so you can use the UwMic15 with DSLRs, mirrorless cameras, cinema cameras, camcorders, professional video cameras, audio recorders, mixers and more. The UwMic15 system is also expandable. Optional transmitters and output cables (sold separately) are available, giving you unrivaled flexibility. They make it possible to use a wireless handheld microphone with the SR-HM15 or a wireless XLR plug-on transmitter with the SR-XLR15, and to connect the included RX15 receiver to smartphones, tablets, computers, GoPro cameras and more.
- Broadcast-quality UHF wireless lavalier microphone system with camera-mountable portable receiver, UHF frequency spectrum helps you avoid interference
- Headphone monitor output enables you to always listen to your sound, even if your camera lacks a headphone jack
- Easy-to-use with plug-and-play operation, easy-to-read backlit LCD displays on both units, included microphone and output cables feature locking connectors to prevent unplugging
- Wireless infrared synchronization makes it easy to sync channels between the RX15 receiver and TX15 transmitter, 16 selectable channels for running multiple systems
- Up to 330-ft (100m) operating distance, mute button function with red flashing LED to remind you it’s muted
Specifications:
Channels: 16
Oscillator Type: PLL synthesizer
Output: 1/8“ (3.5mm) mini jack
Antenna: 1/4 λ wire antenna
Audio Output Level: -60 dBV
Headphone Output Level: 30mW (16 ohm)
Frequency Range: 555 - 579 MHz
Sensitivity: -95 dBm
Signal to Noise Ratio: 70 dB or more
Voice Delay: 12 ms
Reference Deviation: +/- 5 kHz
Frequency Response: 40 Hz to 18 kHz (+/- 3dB)
Distortion: 0.5% or less
Spur Suppression: -60 dB
Power: 2 x AA batteries
Dimensions: 7.1 x 2.5 x 0.9” (180 x 64 x 23 mm)
Weight: 2.58oz (73g) without batteries
TX15 Transmitter Specifications:
Channels:16
Oscillator Type: PLL synthesizer
Carrier Frequencies:555 - 579 MHz
Reference Deviation: +/- 5 kHz
Signal to Noise Ratio: 70 dB or more
Spur Suppression: -60 dB
Voice Delay: 12 ms
Antenna: 1/4 λ wire antenna
Audio Input Connector: 1/8“ (3.5mm) mini jack
Reference Audio Input Level: -60 dBV
Distortion: 0.5% or less
Power: 2 x AA batteries
Dimensions:7.1 x 2.5 x 0.9” (180 x 64 x 23 mm)
Weight: 2.4oz (68g) without batteries0
In The Box:
1 x RX15 portable UHF receiver
1 x TX15 UHF transmitter
1 x SR-M1 omnidirectional lavalier microphone
1 x alligator-style lavalier mic clip
1 x camera shoe mount with an integrated 1/4 20 tripod thread
1 x short coiled locking mini-plug output cable with gold-plated connectors
1 x short locking gold-plated mini-plug to XLR male output cable
2 x removable belt clips
2 x SR-UMBC1 battery compartments
1 x printed manual
1 x warranty card
Optional Accessories (Sold Separately):
- SR-XLR15 Plug-on UHF transmitter with +48V phantom power for XLR microphones
- SR-HM15 Wireless UHF handheld vocal microphone
- LC-C35 Output Cable: Locking 1/8” (3.5mm) to Lightning cable for iPhone & iPad
- UTC-C35 Output Cable: Locking 1/8” (3.5mm) to USB Type-C cable for smartphone or tablets
- SR-PMC1 Output Cable: Locking 1/8” (3.5mm) to TRRS cable for Smartphone or Tablets
- USB-CP30 Output Cable: Locking 1/8” (3.5mm) to USB cable PC or Mac computers
- SR-GMC1 Output Cable: Locking 1/8” (3.5mm) to select GoPro cameras
- LM-WS Fur Windjammer for SR-M1 Lavalier 3-Pack
- SR-LMWS3 Replacement Foam Windscreens 3-Pack
- WM4C-MC1 Replacement Mic Clip
- SR-XM1 Swiveling Omnidirectional Condenser Microphone
- SR-UMBC1 Replacement Battery Compartment
- SR-UM10-MC2 Replacement Belt Clip
- SR-UM10-MC1 Replacement Shoe-Mount Adapter
- SR-UM10-C35XLR Replacement Locking type 1/8” (3.5mm) to XLR Male Output Cable
- SR-UM10-C35 Replacement Locking type 1/8” (3.5mm) to 1/8” (3.5mm) Output Cable
- SR-UM10-M1 Replacement SR-M1 Lavalier
- SR-UC-201 3.5mm Female TRS Microphone Adapter Cable to 3.5mm Male TRRS for smartphone or tablets
- SR-25C35 3.5mm to 2.5mm Microphone Output Cable for SSE with Fuji Cameras
- SR-TX15 Replacement UHF beltpack transmitter
SARAMONIC UWMIC9 HU9 WIRELESS UHF HANDHELD CARDIOID MICROPHONE TRANSMITTER FOR UWMIC9 RX9 RECEIVER
$ 149.00 - Sold Out
SARAMONIC UWMIC9 HU9 WIRELESS UHF HANDHELD CARDIOID MICROPHONE TRANSMITTER FOR UWMIC9 RX9 RECEIVER
MFR SKU: UWMIC9-HU9 | Helix SKU: SRUWMIC9HU9
Overview
The Saramonic HU9 is a handheld microphone with a built-in UHF wireless transmitter and integrated antenna that provides rich, broadcast-quality sound in a durable yet sleek metal body. It’s perfect for use with DSLRs, video cameras or portable audio recorders for capturing interviews, film dialog, field recording, broadcast TV, news gathering, vlogging, YouTube videos and more. The HU9 features sturdy metal construction and delivers excellent sound quality at an affordable price. It’s compact, lightweight, and easy to bring with you on every shoot.
The HU9 is designed to be used with the Saramonic UwMic9 RX9 dual-channel wireless camera-mountable receiver (sold separately). The RX9 enables you to have two on-camera subjects with their own wireless microphones by adding either a TX9 beltpack transmitter and clip-on lavalier microphone, a TX-XLR9 plug-on transmitter and a handheld XLR microphone, or a second HU9 handheld microphone.
The exterior of the HU9 has only one button which makes operating it extremely easy. The combo mute/power button can be locked with a switch hidden inside the body to prevent the person holding the mic from accidentally muting, changing the channel or turning it off. An easy-to-read backlit LCD display clearly shows the remaining battery life, mute status, and the group and its operating channel. A protective ring around the perimeter of the grill prevents the HU9 from rolling when resting on flat surfaces.
The HU9 transmitter also features a selectable RF power output. The “Low” setting lets you extend battery life in situations where the subject is close to the receiver. Medium and High are useful when the subject is going to be further away, or when you’re using the HU9 in an environment with more potential interference. The HU9 is a high-quality piece of equipment with professional features, excellent sound quality, and an unbeatable budget-friendly price.
- Broadcast-quality UHF wireless handheld microphone transmitter for the dual-channel RX9 receiver (sold separately)
- Cardioid pickup pattern rejects unwanted sounds from the sides and rear
- Rugged all-metal construction that has a has a professional, sleek look with easy-to-read backlit LCD display, easy-to-use menus and a single-button control
- Switchable Low or High RF power output for increased battery life or range
- Offers up to 330-foot (100m) operating distance with infrared that makes it easy to sync channels with receiver
Specifications:
Wireless Frequency Range: 514 MHz - 596 MHz
Oscillator Type: PLL synthesizer
Polar Pattern: Cardioid
Reference audio input level: –60 dBV (MIC input, 0 dB attenuation)
Antenna: 1/4 λwire antenna
Signal to Noise Ratio: 70 dB or more
Voice Delay: 12 ms
Reference Deviation: +/- 5 kHz (-60 dBV, 1 kHz input)
Frequency Response: 40 Hz to 18 kHz (+/- 3dB)
Distortion: 0.5% or less
Spur Suppression: -60 dB
Batteries: 2 LR6/AA size batteries
Dimensions: 10 x 2.05 x 2.05” (254 x 52 x 52 mm)
Weight: 11.93oz (338.2g) (without batteries)
In The Box:
1 x HU9 handheld microphone
1 x Printed user manual
1 x Warranty card
Optional Accessories (Sold Separately):
- SR-HM7-WS2 Foam Windscreen for SR-HM7 (2-pack)
- SR-RX9 UwMic9 Dual-Channel Camera-Mountable Receiver
Saramonic Uwmic9 Rx-XLR9 Compact Plug-On Dual-Channel Uhf Wireless Receiver
$ 199.99 - Sold Out
Saramonic Uwmic9 Rx-XLR9 Compact Plug-On Dual-Channel Uhf Wireless Receiver
MFR SKU: UWMIC9RX-XLR9 | Helix SKU: SRUWMIC9RXXLR9
Overview
The Saramonic UwMic9 RX-XLR9 is an ultra-portable, ultra-compact dual-channel UHF wireless microphone receiver that can mount directly to an XLR input of a professional video camera, mixer or an audio recorder. With the included accessories it can also easily be mounted to the shoe of a DSLR, Mirrorless or Video Camera and plugged into a 1/8“ (3.5mm) mic input. Its dual-channel ability allows you to use wireless microphones on two separate people with only a single RX-XLR9 (transmitters sold separately). Very easy to use, the RX-XLR9 features durable metal construction, and provides pristine, broadcast-quality sound for interviews, film dialog, field recording, TV and news gathering.
Unlike other Plug-In wireless receivers that require expensive proprietary batteries, the RX-XLR9 runs on 2 standard AA’s, and can be powered with an external USB battery pack (sold separately). A headphone output is built-in, so you can always monitor your sound, even when your camera lacks a headphone jack. An easy-to-read backlit LCD display lets you make quick adjustments to its intuitive menus in the brightest or darkest environments. The RX-XLR9 can be rotated 320° to make room for other equipment when mounted to a camera. The UwMic9 RX-XLR9 is ideal for use with professional video cameras, DSLRs, mirrorless cameras, mixers and portable audio recorders.
The RX-XLR9 utilizes the UHF (Ultra High Frequency) spectrum, which helps you avoid interference, and its 514-596 MHz range in 96 selectable channels is not impacted by the FCC’s ban of the 600 MHz frequencies. An automatic-scan feature locates the best available channel for you and the infrared synchronization makes the process a snap.
A variety of excellent wireless transmitters are available to use with your RX-XLR9, and because it works with two of them at the same time, you can mix and match to suit your needs. Choose from the TX9 beltpack transmitter (which includes an SR-M1 omnidirectional lavalier microphone), the TX-XLR9 Plug-In transmitter, and the HU9 handheld wireless microphone.
- Two channel wireless UHF receiver built into a single, ultra-compact and ultra-portable body that works with two transmitters at the same time and provides pristine, broadcast-quality sound
- Mounts directly to an XLR input on professional video cameras, mixers or recorders and provides reliable broadcast-quality sound, features durable metal construction
- Includes hardware to mount to DSLR, Mirrorless and Video Cameras and plug into 1/8“ (3.5mm) mic inputs, rotates 320° to make room for other equipment
- Built-in headphone output so you monitor your sound, even when your camera lacks a headphone jack, easy-to-read backlit LCD display
- Offers up to 330-ft (100m) operating distance, not impacted by the FCC’s ban of the 600 MHz frequencies
Specifications:
Channels: 96 selectable channels in 2 groups (A and B)
Wireless Frequency Range: 514 MHz - 596 MHz
Oscillator Type: PLL synthesizer
Receiver Output Connector: 3-Pin XLR Male
Output Cable: 1/8” (3.5mm) TRS Output Cable
Antenna: 1/4 λwire antenna
Audio Output Level: -60 dBV
Headphone Output Level: 30mW (16 ohm)
Receiver Sensitivity: -95 dBm
Signal to Noise Ratio: 70 dB or more
Voice Delay: 12 ms
Reference Deviation: +/- 5 kHz (-60 dBV, 1 kHz input)
Frequency Response: 40 Hz to 18 kHz (+/- 3dB)
Distortion: 0.5% or less
Spur Suppression: -60 dB
Reference Audio Input Level: -60dBV (MIC Input, 0dB Attenuation)
Batteries: 2 LR6/AA size batteries
Dimensions: 4.4 x 2.48 x 1.02” (112 x 63 x 26mm)
Weight: 3.39 oz (96g) (without batteries)
HU9 Transmitter
Channels: 96 selectable channels in 2 groups (A and B)
Wireless Frequency Range: 514 MHz - 596 MHz
Oscillator Type: PLL synthesizer
Polar Pattern: Cardioid
Reference audio input level: –60 dBV (MIC input, 0 dB attenuation)
Antenna: 1/4 λwire antenna
Signal to Noise Ratio: 70 dB or more
Voice Delay: 12 ms
Reference Deviation: +/- 5 kHz (-60 dBV, 1 kHz input)
Frequency Response: 40 Hz to 18 kHz (+/- 3dB)
Distortion: 0.5% or less
Spur Suppression: -60 dB
Batteries: 2 LR6/AA size batteries
Dimensions: 10 x 2.05 x 2.05” (254 x 52 x 52 mm)
Weight: 11.93 oz (338.2g) (without batteries)
In The Box:
1 x Plug-on dual-channel wireless receiver
1 x Camera shoe mount with an integrated metal 1/4 20 tripod thread
1 x 13-inch (33cm) XLR female to gold-plated 1/8“ (3.5) TRS male cable
1 x 4-ft (1.2m) gold-plated USB-C to USB-A cable
1 x Printed user manual
1 x Warranty card
Optional Accessories (Sold Separately):
- TX9 Belt-pack Transmitter with Lavalier
- TX-XLR9 Transmitter: XLR Plug-on Transmitter with +48V phantom power
- HU9 Transmitter: Wireless Handheld Microphone
- SR-UC-201 3.5mm Female TRS Microphone Adapter Cable to 3.5mm Male TRRS for smartphone or tablets
- SR-25C35 3.5mm to 2.5mm Microphone Output Cable for SSE with Fuji Cameras
Saramonic Vmic Mini Shotgun Microphone
$ 59.00
Saramonic Vmic Mini Shotgun Microphone
MFR SKU: VMICMINI| Helix SKU: SRVMICMINI
Overview
The Saramonic Vmic Mini is an extremely compact and lightweight mini-shotgun microphone that mounts directly to DSLR, mirrorless, and video cameras and enables you to easily capture broadcast-quality sound. It can also be connected to smartphones and tablets with an included cable and dramatically improves the sound quality of your mobile productions.
The all metal construction and precision cut body of this microphone is a work of art. The size makes it ideal for use with small format DSLR, Mirrorless and video cameras as well as smaller mobile devices. Its ultra-compact size allows the mic to be placed in areas that larger shogun mics just won’t fit.
Using the Vmic Mini is incredibly simple. You just plug it in and you’re done. There are no batteries to install or charge, and there are no buttons or switches to operate. It’s truly plug-and-play. A great choice for anyone creating video content on a budget but looking for high-quality gear. Vmic Mini is a lightweight and ultraportable shotgun microphone that will give all of your videos excellent sound.
A stand out feature of the Vmic Mini design is the unique microphone shockmount. The wiry shockmounts on some competing microphones are flimsy and prone to bending, this can cause some unwanted audio issues and change the way the microphone picks up sound. The integrated shockmount of Vmic Mini is robust and features a sleek, sweeping and stable design.
An advanced uniquely designed bullet like windscreen is included, giving the Vmic Mini its unique and interesting look. It features a sturdy gasket which aids in blocking wind noise, helps to protect the microphone from things like weather and dust, and keeps it securely fastened in place while on the go.
Every aspect of the Vmic Mini’s design is top notch, and the built-in locking camera shoe features a metal 1/4 20 tripod thread at the base that gives you near limitless mounting options. Two output cables are included: one that connects to cameras, and another that connects to the headphone jack of smartphones and tablets. Whether you’re shooting with a powerful DSLR, mirrorless, video cam, tablet or a smartphone, the Vmic Mini is a compact and ultraportable shotgun microphone that will give all of your videos excellent sound.
- Provides clear, broadcast-quality sound to DSLR, Mirrorless and Video Cameras or Smartphones and Tablets
- Easy-to-use with plug-and-play operation and no batteries required for operation
- Sleek camera-mountable design that is lightweight and compact, yet features durable metal construction
- Includes two output cables: one for cameras, one for mobile devices
- Mounts to camera shoes, camera cages, boom poles, tripods, stands and more
Specifications:
Type: 14mm Condenser Microphone
Polar Pattern: Cardioid (Uni-Directional)
Frequency Range: 75Hz - 20kHz
Sensitivity: -35 ±3dB (0dB = 1V/Pa, @ 1kHz)
Maximum Input SPL: f=1kHz, THD<5% (105dB)
Output Impedance: 200ohm
Signal to Noise Ratio: 75dB SPL
Weight: 2.43oz (69g)
Dimensions: 4.61 x 0.75 x 2.44” (117 x 19 x 62mm)
In The Box:
1 x Mini shotgun microphone with integrated shockmount
1 x Fitted foam windscreen
1 x Short coiled 1/8“ (3.5 mm) TRS to 1/8“ (3.5 mm) TRS output cable with gold-plated right-angle connectors
1 x Short coiled 1/8“ (3.5 mm) TRS to 1/8“ (3.5 mm) TRRS output cable with gold-plated connector for mobile devices
1 x Information card
1 x Warranty card
Optional Accessories:
- SR-BSP1 Aluminum Smartphone Holder with Stabilizing Handle & Mounting Shoe
- LC-C35 Output Cable: Locking 1/8” (3.5mm) to Lightning cable for iPhone & iPad
- UTC-C35 Output Cable: Locking 1/8” (3.5mm) to USB Type-C cable for Smartphone or Tablets
- USB-CP30 Output Cable: Locking 1/8” (3.5mm) to USB cable PC or Mac computers
- SR-GMC2 Output Cable: 1/8” (3.5mm) to select GoPro cameras
- SR-CS350 Replacement 1/8” (3.5mm) Male Stereo TRS to 1/8” (3.5mm) Male Stereo TRS Output Cable
- SR-PMC2 Replacement Output Cable: 1/8” (3.5mm) to TTRS cable for Smartphone or Tablets
Saramonic VMIC Super-Cardioid Shotgun Condenser Video Microphone for DSLR Cameras - Black
$ 89.00
Saramonic VMIC Super-Cardioid Shotgun Condenser Video Microphone for DSLR Cameras - Black
MFR SKU: VMIC | Helix SKU: SRVMIC
Overview
The Saramonic Vmic is a premium on-camera shotgun microphone that delivers broadcast-quality sound to DSLRs, mirrorless cameras, video cameras and audio recorders and provides a versatile array of features at an affordable price. It has a durable metal construction that will handily survive the demanding world of video production. An impressively robust integrated shockmount isolates the Vmic from unwanted vibration noise. In contrast, the shockmounts on competing shotguns are often flimsy and prone to bending and damage.
Another feature you won’t find on competing shotgun microphones is the built-in headphone output on the Vmic, which always enables you to hear your sound, even when your camera lacks a headphone jack. All of the controls on the Vmic are easy to use and easy to access. It has a +20dB boost setting that lets you to turn down your camera’s noisy preamp in order to achieve an ultra-clean sound as well as letting you pick up subjects from further away. The -10dB setting lowers the sensitivity of the Vmic so you can cleanly capture audio in loud environments. A low-cut switch makes dialog more intelligible and eliminates unwanted deep bass sounds, like distracting vibration noises from footsteps. A high-frequency boost setting enhances the sharpness and clarity of the sounds you capture.
A short, coiled output cable is included to connect to your camera or recorder. This cable is easily removable which allows you to use any 1/8“ (3.5mm) cable in its place. When you need more length than the included 8-inch cable provides, you can easily swap it out for a longer one. A foam windscreen is included for indoor use, and for outdoor recording in higher winds you can use the VMIC-WS fitted furry windscreen that was designed for the Vmic (sold separately). The Vmic is an excellent sounding shotgun microphone that outperforms competing products that are considerably more expensive and doesn’t have the compromises of microphones that are similarly priced.
- Broadcast-quality on-camera shotgun microphone with built-in headphone jack, removable output cable, durable metal construction, and robust integrated shockmount
- Incredibly easy to use with a versatile array of features, +20dB boost switch for achieving ultra-clean sound, -10dB switch for cleanly capturing loud sounds
- Low-cut setting makes dialog more intelligible and eliminates distracting rumble sounds, high-frequency boost setting enhances sharpness and clarity
- Integrated camera-shoe mount features a metal 1/4 20 tripod thread, shockmount is rugged and robust, not flimsy or prone to bending and damage
- Runs on 2 standard AA batteries with a battery door that’s easy to access and use
Specifications:
Type of Microphone: Condenser (Unidirectional)
Polar Pattern: Supercardioid
Signal to Noise Ratio: 75 dB or more
Output Impedance: 200 Ohms or less
Sensitivity: -40 dB at 1 kHz
Filter: High-pass 150 Hz
Outputs: 2 x female 1.8” (3.5 mm), 1 for headphones, 1 for camera connection
Battery: 2 x AA (Alkaline or Lithium)
Dimensions: 10.2 x 2.60" (259.08 x 66 mm)
Weight: 6.9 oz (196 g)
In The Box:
1 x shotgun microphone
1 x short, coiled cable with gold-plated mini-plug connectors
1 x foam windscreen
1 x printed manual
1 x warranty card
Optional Accessories (Sold Separately):
- VMIC-WS Outdoor high-wind furry windscreen
- SR-UC-201 1/8“ (3.5mm) Female TRS microphone adapter cable to 3.5mm male TRRS for smartphones and tablets with a headphone jack
- WM4C-C35 Replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cable
- SR-CS350 2-Pack of replacement 1/8“ (3.5mm) male stereo TRS to 3.5mm male stereo TRS output connector cables
- SR-SM-C301 1/8“ (3.5mm) output cable for iOS
- SR-SM-C302 1/8“ (3.5mm) output cable for Android
- LC-C35 Locking 1/8“ (3.5mm) to Lightning output cable for iPhone & iPad
- UTC-C35 Locking 1/8“ (3.5mm) to USB Type-C output cable for smartphones, tablets and Apple computers with USB Type-C
- SR-PMC2 1/8“ (3.5mm) TRS to 1/8“ (3.5mm) TRRS output cable for smartphones and tablets
- SR-GMC2 1/8“ (3.5mm) TRS to select GoPro camera output cable
- USB-C201 Locking 1/8“ (3.5mm) TRS to USB output cable for PC and Mac computers
