$ 949.00 $ 849.00
$ 1,399.00 - Sold Out
Sigma SKU: 213965 | Helix SKU: SM213965
Sigma 14-24mm F2.8 DG DN Art is a wide-angle zoom with remarkable resolution that is perfect for full-frame mirrorless cameras.
One FLD glass and five SLD glass elements are appropriately arranged to suppress chromatic aberration to the edge of the frame. Three aspherical lenses, including a large-diameter aspherical lens at the foremost surface, are used to effectively minimize coma flare, etc., thereby achieving mind-blowing resolution. The super multi-layer coating is combined with a newly developed NPC (Nano Porous Coating)*. The lens has been designed to be less susceptible to strong incident light such as backlight.
Incorporating a stepping motor enables the high speed, quiet AF drive. Shooting is comfortable even in target AF such as Face/Eye Detection AF and during video shooting. The AFL button which can be assigned with various functions widens the range of operations available on the lens. Furthermore, the lens features a dust- and splash-proof structure, along with a water- and oil-repellent coating on the frontmost surface of the lens, which further supports shooting in various environments.
The lens comes with a rear filter holder equipped with a fall prevention lock for attaching sheet type rear filters for shooting starry skies.
Lens Construction | 18 Elements in 13 Groups |
Angle of View | 114.2°-84.1° |
Number of Diaphragm Blades | 11 (rounded diaphragm) |
Minimum Aperture | F22 |
Minimum Focusing Distance | 28cm/11.0in |
Filter Size (mm) | N/A |
Maximum Magnifications | 1:7.3 |
Dimensions (Diameter x Length) |
φ85.0mm×131.0mm / φ3.3in. × 5.2in. |
Weight | 795g/28.6oz. |
Corresponding Mounts |
Sony E-mount Leica L-mount |
All figures calculated by L-Mount. * The appearance, specifications, and the like of the product are subject to change for improvement without notice. |
$ 489.00 $ 414.00
Sigma SKU: 402965 | Helix SKU: SM402965
The Sigma 16mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. The Contemporary line is part of Sigma Global Vision and is the perfect blend of image quality and compact size. The large aperture is great for lowlight and for creating depth of field and its small size makes it highly portable.
The optical design and stepping motor deliver smooth autofocus during video shooting. The lens design fully accommodates the Fast Hybrid AF of Sony E-mount cameras for super-fast autofocus functionality. Using face recognition AF results in consistent autofocusing on faces, even as the subjects move.
Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping.
Lens Construction | 16 Elements in 13 Groups | ||||||||
Angle of View (DC) | 83.4º | ||||||||
Number of Diaphragm Blades | 9 (Rounded) | ||||||||
Minimum Aperture | f16 | ||||||||
Minimum Focusing Distance | 9.8 in | ||||||||
Filter Size (mm) | 67mm | ||||||||
Maximum Magnifications | 1: 9.9 | ||||||||
Dimensions (Diameter x Length) |
φ72.2mm×92.3mm / 2.8in. ×3.6in | ||||||||
Weight | 14.3 oz | ||||||||
Corresponding Mounts |
|
$ 1,099.00 - Sold Out
The F2.8 Art zoom flagship zoom lens series is developed primarily to achieve superior optical performance.
As extra-low dispersion glass materials, six sheets of “F” low dispersion (FLD) glass and two sheets of special low dispersion (SLD) glass are lavishly employed while taking advantage of an optical design dedicated for mirrorless lenses. By employing three aspheric lenses, this zoom lens thoroughly subdues aberrations such as axial chromatic aberration or sagittal coma aberrations, which are difficult to correct in post-processing, tailors the resolution and achieves uniformity and superior optical performance from the center to the periphery throughout the zoom range.
In addition to Super Multi-Layer Coating, Nano Porous Coating* is employed. This lens is designed so as to be less affected by strong incident light such as flare.
The mirrorless camera-dedicated design successfully contributes to reduction in the lens size and weight.
The SIGMA 24–70mm F2.8 DG DN ensures compatibility with various types of the latest full-framemirrorless camera bodies tailored for L-Mount and Sony E-Mount so as to be capable of exerting the best performance under any photographic circumstances, assuming that professional or advanced amateur photographers use it.
To the AFL button, for example, various functions can be assigned from a camera body, which enhance the operability while photographing. Employing a stepping motor and the latest algorithm successfully establishes a good balance between acceleration and quietness of the AF drive. This enables stress-free focusing.
Furthermore, this lens is compatible with the Eye-Detection AF used more frequently in mirrorless cameras, which is capable of high-precision focusing at the time of portrait photography.
The minimum focusing distance is 18 cm at the wide-angle end. This allows you to come closer to a subject than the end of a hood to take photographs. The maximum magnifications are 1:2.9 at the wide-angle end and 1:4.5 at the telephoto end, which provides a wider range of expression by close-up photography.
Furthermore, the lens adapts to various uses and usage environments through employment of the dust- and splash-proof structure and the zoom lock mechanism for preventing the lens barrel from extending unexpectedly, and meet a wide range of needs for photography. An AF/MF switch used for the many conventional SIGMA’s lenses is also embedded in the lens barrel. Essential and basic functions are also equipped.
$ 799.00
Sigma SKU: 441965 | Helix SKU: SM441965
The new Sigma wide-angle model stands out with its thoroughly corrected magnification chromatic aberration and sagittal coma flare, as well as completely minimized distortion thanks to its optical design. It features water- and oil-repellent coating on the front lens element and its overall dust- and splash-proof structure ensures excellent performance even in the most challenging shooting conditions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures the perfect moment instantly. Available in Sigma, Nikon, Canon and Sony E camera mounts, this lens is a great contender for street photography, as well as shooting landscapes and night skies.
Lens Construction | 17 elements in 12 groups | ||||||||
Angle of View (35mm) | 75.4° | ||||||||
Number of Diaphragm Blades | 9 (Rounded diaphragm) | ||||||||
Mininum Aperture | F16 | ||||||||
Minimum Focusing Distance | 28cm / 11 in. | ||||||||
Filter Size (mm) | φ77㎜ | ||||||||
Maximum Magnifications | 1:5.4 | ||||||||
Dimensions (Diameter x Length) |
Φ82.8mm × 107.7mm(3.3 in. x 4.2in.) | ||||||||
Weight | 865g / 30.5oz. | ||||||||
Corresponding Mounts |
|
||||||||
HSM -Hyper-Sonic Motor DG - DG for Digital Full Frame and APS-C * The appearance, specifications, and the like of the product are subject to change for improvement without notice. **This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation. |
$ 369.00 $ 294.00
Sigma SKU: 302965 | Helix SKU: SM302965
The Sigma 30mm 1.4 DC DN Contemporary is a high performance prime with a large aperture of F1.4 designed for APS-C Mirrorless cameras including Sony E mount and Micro Four Thirds. The Contemporary line is part of Sigma Global Vision and is the perfect blend of image quality and compact size. The large aperture is great for lowlight and for creating depth of field and its small size makes it highly portable. A stepping motor provides fast and accurate autofocus and is highly useful for video work. Like all SGV lenses, each lens is hand crafted in our single factory in Aizu Japan, individually inspected before shipping.
Lens Construction | 9 Elements in 7 Groups | ||||||||
Angle of View | 50.7º | ||||||||
Number of Diaphragm Blades | 9 (Rounded) | ||||||||
Minimum Aperture | f16 | ||||||||
Minimum Focusing Distance | 11.8 in | ||||||||
Filter Size (mm) | 52mm | ||||||||
Maximum Magnifications | 1: 7 | ||||||||
Dimensions (Diameter x Length) |
2.6in x 2.9 in | ||||||||
Weight | 9.3 oz | ||||||||
Corresponding Mounts |
|
||||||||
* The appearance, specifications, and the like of the product are subject to change for improvement without notice. |
$ 899.00 - Sold Out
Sigma SKU: 340965 | Helix SKU: SM340965
The Sigma 35mm 1.4 DG HSM is a state of the art lens designed for full frame cameras but can also be used with APS-C sensors as well. The first addition to the Art category in Sigma’s Global Vision, the 35mm 1.4 DG HSM includes new features based around a unique lens concept and design. The 35mm is a staple focal length in the world of photography, and paired with Sigma technology, this lens can take artistic expression to the next level. The lens is equipped with technology including a Hyper Sonic Motor (HSM), floating internal focusing system, SLD and FLD Glass elements. The HSM ensures quiet, high speed, accurate autofocusing while the floating focusing system allows for superior optical performance with subjects at a closer shooting distance. The SLD glass elements along with the FLD glass elements, which are equal to fluorite, help correct both axial and chromatic aberration. The large 1.4 aperture make it ideal in low light and the lens is compatible with the Sigma USB dock and Optimization Pro software to adjust and fine tune focusing parameters. The Sigma 35mm 1.4 DG HSM is a must have for any camera bag.
$ 529.00 $ 454.00
Sigma SKU: 351965 | Helix SKU: SM351965
This lens completes the Sigma large aperture series of portable wide-angle, standard, and telephoto prime lenses in Micro Four Thirds and Sony E mounts. Featuring compact design, light weight and outstanding image quality offered in Sigma’s Contemporary line, this lens stuns with a beautiful bokeh effect and the amount of brightness expected from F1.4 lenses even in the mid-telephoto range for cropped sensor cameras. In addition, this lens is characterized by smooth and quiet autofocus ideal for video shooting. Compatible with the Sony E mount Fast Hybrid AF, it also achieves precise AF tracking. By using the face recognition or eye AF functions of the camera, focus will continuously be on the face or the eye even if the subject moves during the shoot.
Lens Construction | 10 Elements in 6 Groups | ||||||||
Angle of View (DC) | 28.5º | ||||||||
Number of Diaphragm Blades | 9 (Rounded) | ||||||||
Minimum Aperture | f16 | ||||||||
Minimum Focusing Distance | 19.7 in | ||||||||
Filter Size (mm) | 55mm | ||||||||
Maximum Magnifications | 1: 7.4 | ||||||||
Dimensions (Diameter x Length) |
ø66.5mm x 59.5mm / ø2.6in. x 2.3in. | ||||||||
Weight | 9.9 oz | ||||||||
Corresponding Mounts |
|
$ 249.00 $ 224.00
Sigma SKU: 89E965 | Helix SKU: SM89E965
This SIGMA lens converter incorporates the digital data necessary to provide fast and smooth AF for compatible lenses as well as OS features and functions of the camera that help control peripheral brightness and correct transverse chromatic aberration, distortion, and more.
In addition, since Sony E-mount camera bodies do not require mechanical integration with lenses for aperture control, this Sigma lens converter makes SIGMA SA mount interchangeable lenses and SIGMA interchangeable lenses for Canon cameras fully compatible with the automatic exposure control of Sony E-mount camera bodies.
This Canon lens to Sony E-Mount adapter is ideal for professional photographers who use different camera systems depending on the subject, as well as amateur photographers who enjoy using a variety of camera systems. Increasing the compatibility of lenses with different camera systems using a Sigma lens converter makes these assets more valuable than ever. Thanks to this Canon lens to Sony E-Mount adapter, users of Sony E-mount camera bodies will enjoy an immediate increase in the number of lenses available to them.
Light | O | Green light | The lens is compatible. |
Blinking green light | The lens requires a firmware update with the USB Dock. | ||
Blinking orange light | The MC-11 requires an update to read new lens data. | ||
No Light | X | The lens is not compatible. |
$ 249.00 $ 224.00
Sigma SKU: 89S965 | Helix SKU: SM89S965
Special Order Item
The new MOUNT CONVERTER MC-11 allows you to use your SIGMA SA mount and SIGMA EOS mount interchangeable lenses with the Sony E-mount camera body.
Until now, the market has seen the introduction of many methods for using lenses from one camera system with a body from a different system. In the digital age, however, camera systems have become much more complex, and it is challenging to create a mount converter that aligns both the mechanics and software of the lens and body. Creating a converter that matches lenses for current DSLRs to bodies for mirrorless interchangeable-lens camera systems is even more challenging. Now the market demands a converter that goes beyond simply aligning the flange back distance to retaining full functionality.
MOUNT CONVERTER MC-11 incorporates the digital data necessary to provide fast and smooth AF for compatible lenses as well as OS features and functions of the camera that help control peripheral brightness and correct transverse chromatic aberration, distortion, and more.
In addition, since Sony E-mount camera bodies do not require mechanical integration with lenses for aperture control, the MOUNT CONVERTER MC-11 makes SIGMA SA mount interchangeable lenses and SIGMA interchangeable lenses for Canon cameras fully compatible with the automatic exposure control of Sony E-mount camera bodies.
MOUNT CONVERTER MC-11 is ideal for professional photographers who use different camera systems depending on the subject, as well as amateur photographers who enjoy using a variety of camera systems. Increasing the compatibility of lenses with different camera systems makes these assets more valuable than ever. In addition, users of Sony E-mount camera bodies will enjoy an immediate increase in the number of lenses available to them.
Light | O | Green light | The lens is compatible. |
Blinking green light | The lens requires a firmware update with the USB Dock. | ||
Blinking orange light | The MC-11 requires an update to read new lens data. | ||
No Light | X | The lens is not compatible. |
$ 1,099.99 - Sold Out
Sony SKU: SEL24F18Z | Helix SKU: SYSEL24F18Z
This first-class 24 mm (35 mm full frame equivalent) prime lens features a large F1.8 maximum aperture and is capable of outstanding sharpness and contrast throughout the frame plus beautiful “bokeh” in out-of-focus areas. Maximum magnification is 0.25x for dramatic 1:4 close-up capability, and an internal drive motor offers smooth, quiet autofocus operation that movie makers will appreciate.
$ 599.99 - Sold Out
Mfr SKU: SEL24F28G | Helix SKU: SYSEL24F28G
Included Accessories - Lens Hood, dust cap, lens cap
$ 11,999.99 - Sold Out
Sony SKU: SEL400F28GM | Helix SKU: SYSEL400F28GM
Sony's most advanced lens technologies have been unsparingly applied in this large-aperture super telephoto lens, achieving extraordinary speed, outstanding G Master resolution and bokeh, plus professional control and reliability. Moreover, the SEL400F28GM is the lightest super telephoto lens in its class2, providing unparalleled handheld shooting freedom.
New XD (extreme dynamic) Linear Motors deliver higher thrust than conventional types, achieving up to a 5x improvement3 in moving-subject tracking performance with current and future camera bodies. Two of these new motors and newly developed algorithms quietly drive the lens's large focus lens group faster and more precisely than ever before. The full speed performance of advanced camera bodies can be applied to capturing dynamic sports or wildlife subjects.
Extremely high design standards ensure outstanding resolution right out to the image edges. Three fluorite elements minimize chromatic aberration. Spherical aberration is carefully controlled during design and manufacture to achieve the highest possible bokeh quality. Optional high-performance 1.4x and 2.0x tele-converters are supported4, providing outstanding resolution and contrast even at 800 mm.
An innovative optical design that includes three fluorite elements reduces the number of elements at the front of the lens barrel for a low weight of 102.2 oz (2,895 g). Durable magnesium alloy components also contribute to reduced weight. Portability and handling are outstanding, and ideal balance affords agile, easy operation whether shooting handheld or on a monopod.
The dust- and moisture-resistant design5 provides the reliability needed for outdoor use in harsh conditions. A durable magnesium alloy used for the lens barrel exterior, tripod mount, and interior barrel components achieves tough durability while minimizing overall weight. The front lens element features a fluorine coating that helps to keep it clean while making it easier to wipe dirt and fingerprints away.
Full-time DMF allows manual focus to be engaged simply by rotating the focus ring, even while shooting in AF-C mode. Optical image stabilization is built in, and a new Mode 36setting features an advanced algorithm that provides optimum stabilization for dynamic sports action while also making framing easier. Four focus-hold buttons and a focus ring with Linear Response MF further enhance versatility.
G Master series lenses take imaging and expression to previously unattainable levels with a stunning blend of extremely high resolution and softly dissolving background bokeh
[1] Fluorite lens [2] ED glass
MTF (Modulation Transfer Function) describes how well a lens can reproduce fine details, measured as the degree of contrast achieved between finely spaced lines.
[1] Contrast (%) [2] Distance from optical center of lens (mm) [3] Max. aperture [4] F8 aperture [5] Spatial frequency [6] 10 line pairs / mm [7] 30 line pairs / mm [8] R: Radial values T: Tangential values
$ 1,099.99 $ 999.99 - Sold Out
Sony SKU: SEL90M28G | Helix SKU: SYSEL90M28G
Beautiful background bokeh is synonymous with the G Lens name, and it can really make the subject stand out. Individual calibration of each lens ensures optimum compensation for spherical aberration, resulting in smooth rendering of edges without a trace of ugly "nisen bokeh." A nine-blade circular aperture also contributes to great looking bokeh.
Macro lenses are often used over a wide range of focusing distances, so a floating focus mechanism has been implemented for optimum suppression of close-focus aberration. The floating system reduces the size of the lens while maintaining outstanding clarity throughout the image area, from infinity to the closest focusing distance.
Two focus groups in a floating focus configuration are driven by an innovative DDSSM (Direct Drive Super Sonic wave Motor) system for smooth, precise positioning of the relatively heavy lenses that make full frame macro magnification possible. This system is remarkably quiet, and is ideal for animal or insect photography as well as movies.
Although a tripod is usually considered necessary for sharp macro photography, built-in OSS (Optical SteadyShot) image stabilization makes it possible to shoot sharp macro images handheld. The heavy stabilization lens is driven by a responsive linear motor for fast, precise stabilization.
If you have to remove your eye from the viewfinder to switch between auto and manual focus, you’re likely to lose the shot. With this lens the focus ring, where your hand normally rests while shooting, simply slides back and forth to switch between manual and auto focus. A non-slip surface ensures reliable operation.
Pressing the focus hold button, conveniently located on the lens barrel, instantly locks focus at the current setting and keeps it there until the button is released. The focus hold button can be used to lock focus even when shooting in the continuous AF mode.
The Focus Range Limiter selector can be set for near and/or far focusing, depending on the subject, limiting focusing range and thereby maximizing autofocus speed. Selections are ∞ ~ 0.5 meters for distant focusing, 0.5 ~ 0.28 meters for close focusing, and FULL for full-range focusing.
In an inner-focus design, only internal lens elements move when focusing, so the total length of the lens does not change. In addition to making handing easier, that means faster autofocus and shorter minimum focusing distance. The filter thread at the front of the lens does not rotate, which is an advantage when using a polarizing filter.
The medium telephoto focal length of this lens gives it an ideal working distance at macro magnifications, making it easier to capture impressive macro images of insects and other subjects that cannot be approached too closely.
In some ways, lens requirements for movie-making are more demanding than for stills. Sony goes the extra mile to ensure that lenses that will be used with movie-capable cameras will deliver the necessary performance. Minimal focus breathing and quiet operation, for example, are essential for movie shooting.
Reliable operation in a variety of conditions is ensured by a design that prevents dust and moisture from entering the lens.
$ 549.99
Sony SKU: SEL14TC | Helix SKU: SYSEL14TC
HIGHLIGHTS:
Overview:
Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 1.4x Teleconverter renders this telephoto zoom as a 98-280mm f/4 lens. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.
Specifications:
Magnification | 1.4x |
Mount | Sony E |
Lens Elements/Groups | 6 elements in 5 groups |
Light Loss | 1 stop |
Dimensions | 2.5 x 1.3" / 62.4 x 33.6 mm |
Weight | 5.9 oz / 167 g |
Packaging Info | |
---|---|
Package Weight | 0.85 lb |
Box Dimensions (LxWxH) | 4.8 x 4.1 x 3.5" |
$ 549.99
Sony SKU: SEL20TC | Helix SKU: SYSEL20TC
HIGHLIGHTS:
Overview:
Extending the effective focal length of the Sony FE 70-200mm f/2.8 GM OSS lens, the FE 2.0x Teleconverter renders this telephoto zoom as a 140-400mm f/5.6 lens. The dedicated design maintains full communication between the lens and E-mount mirrorless cameras, including auto-exposure metering, autofocus, and Optical SteadyShot image stabilization. Additionally, this teleconverter also features a dust- and moisture-resistant construction, matching the lens, to benefit working in harsh environmental conditions.
Specifications:
Magnification | 2.0x |
Mount | Sony E |
Lens Elements/Groups | 8 elements in 5 groups |
Light Loss | 2 stops |
Dimensions | 2.5 x 1.7" / 62.4 x 42.7 mm |
Weight | 7.3 oz / 207 g |
Packaging Info | |
---|---|
Package Weight | 0.95 lb |
Box Dimensions (LxWxH) | 4.7 x 4.2 x 3.5" |
$ 829.00 $ 699.00
Tamron SKU: AFB060S-700 | Helix SKU: TRAFB060S700
You’ll be amazed from the very first shot
The world's first1 fast-aperture F2.8 ultra wide-angle zoom lens for mirrorless invites new experiences
Offering the unprecedented brightness of constant F2.8 and outstanding portability, the 11-20mm F/2.8 Di III-A2 RXD (Model B060) is a fast-aperture ultra wide-angle zoom lens for Sony E-mount APS-C mirrorless cameras. The F2.8 maximum aperture is a world’s first for a Sony E-mount APS-C mirrorless lens in this category. Because the fast-aperture lets you maintain a high shutter speed even when shooting in dark conditions, you can capture sharp images with minimal hand shake. Also, special lens elements have been optimally arranged to suppress optical aberrations. These features combine to produce clear images and high-resolution performance. The lens is so light weight and compact that it is hard to believe it is a fast-aperture ultra wide-angle zoom lens. This makes it ideal for regular use, and for travel when you want to carry a smaller camera bag. The 11-20mm F2.8 achieves an MOD (Minimum Object Distance) of 0.15m (5.9 in) at the widest end and 0.24m (9.4 in) at the 20mm end, ensuring the ability to close in on subjects as you please. The lens also incorporates a fast precision AF drive system with an RXD (Rapid-eXtra-silent stepping Drive) stepping motor unit. Moisture-Resistant Construction and Fluorine Coating join forces to offer additional protection when shooting outdoors. Everything you see, from daily life to travels, is in your photographic grasp with this lens. The 11-20mm F2.8 will expand your enjoyment of shooting by combining excellent portability with the ability to capture images unique to fast-aperture lenses.
1 Among interchangeable F2.8 ultra wide-angle zoom lenses for Sony E-mount APS-C mirrorless cameras (As of March, 2021: TAMRON)
2 Di III-A: For APS-C format mirrorless interchangeable-lens cameras
Focal Length |
11 to 20mm (35mm Equivalent Focal Length: 16.5 to 30mm) |
Maximum Aperture |
f/2.8 |
Minimum Aperture |
f/16 |
Lens Mount |
Sony E |
Lens Format Coverage |
APS-C |
Angle of View |
105° 20' to 71° 35' |
Minimum Focus Distance |
5.9" / 15 cm |
Maximum Magnification |
0.25x |
Macro Reproduction Ratio |
1:4 |
Optical Design |
12 Elements in 10 Groups |
Diaphragm Blades |
7, Rounded |
Focus Type |
Autofocus |
Image Stabilization |
No |
Filter Size |
67 mm (Front) |
Dimensions (ø x L) |
2.9 x 3.4" / 73 x 86.2 mm |
Weight |
12 oz / 341 g |
$ 1,399.00
Tamron SKU: AFA057S-700 | Helix SKU: TRAFA057S700
Considering its pairing with mirrorless cameras, TAMRON pursued a compact size that allows handheld shooting while developing the 150-500mm F5-6.7. With a length of 209.6mm (8.3 in) and maximum diameter of 93mm, the 150-500mm F5-6.7 is astonishingly compact for a 500mm-class ultra-telephoto zoom lens built for use on full-frame mirrorless cameras. Even when extended to the 500mm telephoto end, the lens has a suppressed length of around 283mm (11.1 in). Another distinctive feature is that the arc of rotation of the zoom ring is small—only 75°—which enables swift adjustment to the desired focal length with minimal movement.
In addition to covering a broad range of focal lengths, the 150-500mm F5-6.7 zoom has high resolving power with excellent image-rendering performance across the entire zoom range. The optical construction features 25 elements in 16 groups. The effective placement of special lens elements—including XLD (eXtra Low Dispersion), LD (Low Dispersion) and hybrid aspherical lens elements—enables the 150-500mm F5-6.7 to produce clear images while controlling chromatic aberrations. BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating is used to suppress ghosting and flare, which commonly occur under backlit conditions. These features allow the lens to produce finely detailed images of a wide variety of subjects including wild animals, birds, nature and sports, while producing soft and beautiful bokeh effects.
The 150-500mm F5-6.7 zoom’s AF drive system is equipped with the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism. VXD delivers extreme high-speed and high-precision movement and ensures exceptionally responsive performance. Even when shooting at the ultra-telephoto end with a focal length of 500mm, the 150-500mm F5-6.7 enables comfortable, stress-free focusing at all shooting distances from near to far. Focus tracking performance is also very high, facilitating shooting of fast-moving subjects, such as when photographing wild birds, sports, vehicles and wildlife in general. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal for shooting both still photos and video in environments that demand quietness.
When shooting in the ultra-telephoto range, even the smallest vibrations can lead to loss of image clarity. The 150-500mm F5-6.7 is equipped with VC (Vibration Compensation) functionality to support sharp images despite unavoidable camera shake. VC delivers powerful support for handheld shooting of scenes with low light levels, such as evening scenes and indoor shots, without the use of a tripod. The lens also features a VC mode selection switch with three modes including a dedicated panning mode (Mode 1: Standard, Mode 2: Exclusively for Panning, and Mode 3: Framing priority), thereby enabling selection of the ideal VC mode to match shooting conditions and preferences.
VC MODE 3 prioritizes framing and helps you to frame fast-moving subjects easily. In mode 3, VC stabilization is effective from the time the camera power is turned on.
The 150-500mm F5-6.7 zoom lets users freely enjoy telephoto macro shooting of subjects at closeup distances. The lens has an MOD (Minimum Object Distance) of 0.6m (23.6 in) at the 150mm wide-angle end, and 1.8m (70.9 in) at the 500mm telephoto end. More remarkably, the maximum magnification ratio at the 150mm end is 1:3.1, offering excellent close-up shooting capabilities for an ultra-telephoto zoom lens. The versatile performance of the 150-500mm F5-6.7 enables shooting of a diverse range of scenes from plants and insects to closeup tabletop photos. It also allows users to shoot very dramatic images because it gives the illusion that the distance between objects is less than in real life. Secondarily, it’s also possible to get interesting head-and-shoulder portraits because of this compression effect.
In the development and design of the 150-500mm F5-6.7 zoom, TAMRON emphasized usability so that users can fully immerse themselves in the world of ultra-telephoto zoom lenses without minor annoyances.
Model | A057 |
---|---|
Focal Length | 150-500mm |
Maximum Aperture | F5-6.7 |
Angle of View (diagonal) |
16°25'-4°57' (for full-frame mirrorless format) |
Optical Construction | 25 elements in 16 groups |
Minimum Object Distance | 0.6m (23.6 in) (WIDE) / 1.8m (70.9 in) (TELE) |
Maximum Magnification Ratio | 1:3.1 (WIDE) / 1:3.7 (TELE) |
Filter Size | φ82mm |
Maximum Diameter | φ93mm |
Length* | 209.6mm (8.3 in) |
Weight | 1,725g (60.8 oz) (without tripod mount included) / tripod mount 155g (5.5 oz) |
Aperture Blades | 7 (circular diaphragm)** |
Minumum Aperture | F22-32 |
Standard Accessory | Round-shaped hood, Lens caps, Tripod mount |
Compatible Mounts | Sony E-mount |
Format | Full-Frame Mirrorless*** |
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
*** will fit APS-C mirrorless
Note: Tamron lenses cannot guarantee functionality with cinema cameras.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Release Date
June 10th, 2021
$ 899.00
Tamron SKU:AFA046S-700 | Helix SKU: TRAFA046S700
Large aperture F/2.8 ultra wide-angle zoom lens for full-frame mirrorless
Step out of the normal lens zone and into the wilds of wide-angle. The 17-28mm F/2.8 Di III RXD (Model A046) is a large aperture ultra wide-angle zoom lens for Sony E-mount that was designed exclusively for mirrorless cameras and provides unrivalled portability and superb image quality. It’s the smallest and lightest weight zoom lens in its class. The dramatic 17-28mm zoom range adds new dimensions to photographing landscapes, cityscapes, mountains and scenic vistas—as well as groups and building interiors. Despite its compact size, it offers outstanding optical performance. Strategically deployed LD (Low Dispersion) and XLD (eXtra Low Dispersion) lens elements thoroughly suppress chromatic aberration. The combination of ultra wide-angle focal length and an MOD (Minimum Object Distance) of 0.19m (7.5 in) at the wide-angle end encourages richly expressive and creative photography. The new 17-28mm zoom’s AF drive system is powered by the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit that enables it to deliver high-speed, high-precision operation. In addition, the new zoom lens features Moisture-Resistant Construction and a hydrophobic Fluorine Coating that repels fingerprints and dirt. This compact but powerful tool will boost your mobility and drive your vision of capturing subjects in new ways.
Tamron makes large aperture ultra wide-angle photography more exciting, and for this lens we focused on usability. The 17-28mm zoom range was carefully selected; that paved the way for a surprisingly small size—just 99mm (3.9 in) long, weighing but 420g (14.8 oz). The overall length of the lens does not change during zooming, thereby offering consistent handling and stable shooting operations. In addition, the Φ67mm filter size is small for a large aperture ultra wide-angle zoom lens. Plus, it shares the same filter diameter as the high-speed standard zoom lens in the series, the 28-75mm F/2.8 Di III RXD (Model A036). This means the same filters such as PL (Polarizer), lens caps and other accessories may be used for both models.
The 17-28mm zoom provides magnificent image quality without compromise despite its compactness. Two LD lens elements and one XLD element (which has properties close to fluorite) are precisely located to quash chromatic and other aberrations. In addition, the BBAR (Broad-Band Anti-Reflection) Coating applied to lens surfaces reduces ghosting and flare that are otherwise likely to occur when shooting against the sunset’s glow and other backlit situations. Leveraging camera functions*, it provides excellent optical performance matching the latest high resolution image sensors from edge-to-edge throughout the entire zoom range. The 17-28mm zoom invites you into the breathtaking world of ultra wide-angle photography.
* When shooting with the camera’s lens correction function enabled.
The 17-28mm zoom features an MOD of 0.19m (7.5 in) at the wide 17mm end, rendering a maximum magnification ratio of 1:5.2. At the tele end, the MOD is 0.26m (10.2 in) and the maximum magnification ratio is 1:6. In short, you can easily get close enough for a powerful shot. Your images can emphasize the perspective unique to ultra wide-angle lenses, and you can produce soft expressions with a shallow depth of field distinctive to large aperture lenses by opening the aperture and getting close to the subject. Versatile, functional and sensational—all at the same time.
The AF drive on the 17-28mm zoom includes an RXD motor unit to help you stay focused on the action. RXD uses an actuator to precisely control the rotational angle of the motor, allowing it to directly drive the focusing lens without passing through a reduction gear. A sensor that accurately detects the position of the lens enables high-speed and precise AF, which is ideal when shooting continually moving subjects or recording video. Perfect for street shooting and grab shots of groups of friends. And with a focusing system that is both smooth and quiet, the new 17-28mm zoom lets you shoot a video without worrying about picking up ambient drive sounds.
Model | A046 |
---|---|
Focal Length | 17-28mm |
Maximum Aperture | F/2.8 |
Angle of View (diagonal) | 103°41'-75°23' (for full-frame mirrorless format) |
Optical Construction | 13 elements in 11 groups |
Minimum Object Distance | 0.19m (7.5 in) (WIDE) / 0.26m (10.2 in) (TELE) |
Maximum Magnification Ratio | 1:5.2 (WIDE) / 1:6 (TELE) |
Filter Size | Φ67mm |
Maximum Diameter | Φ73mm |
Length* | 99mm (3.9 in) |
Weight | 420g (14.8 oz) |
Diaphragm Blade Number | 9 (circular diaphragm)** |
Minimum Aperture | F/22 |
Standard Accessories | Flower-shaped hood, Lens caps |
Compatible Mounts | Sony E-mount |
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Release Date
July 25th, 2019
$ 799.00 - Sold Out
Tamron SKU: AFB070S-700 | Hellix SKU: TRAFB070S700
Focal Length | 17 to 70mm (35mm Equivalent Focal Length: 25.5 to 105mm) |
Maximum Aperture | f/2.8 |
Minimum Aperture | f/16 |
Lens Mount | Sony E |
Format Compatibility | APS-C |
Angle of View | 79° 55' to 23° 0' |
Minimum Focus Distance | 7.5" / 19 cm |
Maximum Magnification | 0.21x |
Optical Design | 16 Elements in 123 Groups |
Diaphragm Blades | 9, Rounded |
Focus Type | Autofocus |
Image Stabilization | Yes |
Filter Size | 67 mm (Front) |
Dimensions (ø x L) | 2.9 x 4.7" / 74.6 x 119.3 mm |
Weight | 1.2 lb / 525 g |
$ 699.00 $ 599.00 - Sold Out
Tamron SKU: AFB061S-700 | Helix SKU: TRAFB061S700
Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD for Fujifilm X-Mount and Sony E-Mount
An all-in-one lens that zooms from wide-angle to ultra-telephoto for Sony E and FUJIFILM X-mount
The Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD for Fujifilm X-Mount and Sony E-Mount is an all-in-one zoom lens that’s the first with a zoom ratio of 16.6x (27-450mm full-frame equivalent) for APS-C mirrorless cameras. Effectively able to zoom from wide-angle to ultra-telephoto without compromising image quality, it covers a broad array of shooting situations, including landscape, sports, wildlife, snapshots, and portraits. Its compact design makes the zoom easy to carry every day, and it is ideal for travel and family activities. With an astonishing 5.9 in MOD at the wide end and a maximum magnification ratio of 1:2, you can photograph subjects with a unique perspective. With fast VXD autofocus and Tamron’s VC image stabilization system, the Tamron 18-300mm is an all-in-one zoom lens that makes photography more fun because you can use it in an unlimited number of situations.
The versatility of the Tamron 18-300mm lens will inspire you to push your creativity further and further.
Minimum Aperture |
f/22 to 40 |
Lens Mount |
Fujifilm X |
Angle of View |
77° 24' to 5° 30' |
Optical Design |
19 Elements in 5 Groups |
Diaphragm Blades |
7, Rounded |
Focus Type |
Autofocus |
Image Stabilization |
Yes |
Filter Size |
67 mm (Front) |
Dimensions (ø x L) |
3 x 4.9" / 75.5 x 125.6 mm |
Weight |
21.9 oz / 620 g |
Package Weight |
2.165 lb |
Box Dimensions (LxWxH) |
8.1 x 6.3 x 5.5" |
$ 699.00 $ 599.00 - Sold Out
Tamron SKU: AFB061S-700 | Helix SKU: TRAFB061S700
Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD for Fujifilm X-Mount and Sony E-Mount
An all-in-one lens that zooms from wide-angle to ultra-telephoto for Sony E and FUJIFILM X-mount
The Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD for Fujifilm X-Mount and Sony E-Mount is an all-in-one zoom lens that’s the first with a zoom ratio of 16.6x (27-450mm full-frame equivalent) for APS-C mirrorless cameras. Effectively able to zoom from wide-angle to ultra-telephoto without compromising image quality, it covers a broad array of shooting situations, including landscape, sports, wildlife, snapshots, and portraits. Its compact design makes the zoom easy to carry every day, and it is ideal for travel and family activities. With an astonishing 5.9 in MOD at the wide end and a maximum magnification ratio of 1:2, you can photograph subjects with a unique perspective. With fast VXD autofocus and Tamron’s VC image stabilization system, the Tamron 18-300mm is an all-in-one zoom lens that makes photography more fun because you can use it in an unlimited number of situations.
The versatility of the Tamron 18-300mm lens will inspire you to push your creativity further and further.
Minimum Aperture |
f/22 to 40 |
Lens Mount |
Sony E |
Angle of View |
77° 24' to 5° 30' |
Optical Design |
19 Elements in 5 Groups |
Diaphragm Blades |
7, Rounded |
Focus Type |
Autofocus |
Image Stabilization |
Yes |
Filter Size |
67 mm (Front) |
Dimensions (ø x L) |
3 x 4.9" / 75.5 x 125.6 mm |
Weight |
21.9 oz / 620 g |
Package Weight |
2.165 lb |
Box Dimensions (LxWxH) |
8.1 x 6.3 x 5.5" |
$ 699.00 - Sold Out
Fast F2.8 standard zoom for Sony full-frame mirrorless cameras covers 20-40mm and offers class-leading compact size and light weight
Starting from 20mm at the ultra wide-angle end and covering up to 40mm in the standard focal range, this lens is an unparalleled new fast-aperture standard zoom. It delivers a fast F2.8 aperture across the entire zoom range from 20mm to 40mm and achieves a class-leading compact and lightweight design at just 3.4” and 12.9 oz. with 67mm filter size. At the longest zoom end, the lens offers a standard focal range of 40mm, handy for everyday shooting of snaps, portraits, and food photos. Meanwhile at the wide end, the ultra-wide 20mm focal length lets users enjoy a broad range of photography including stunning and powerful natural landscapes. Ideal for great for still photography and for creating vlogs and other video content. Provides exceptional close-up shooting with a 6.7” and 1:3.8 max. mag. ratio at the wide end. Features VXD autofocus, moisture-resistant construction and fluorine coating. Compatible with TAMRON Lens UtilityTM software for Focus Ring Function Setting and firmware updates.
-Fast F2.8 aperture, compact size and exceptionally versatile 20-40mm zoom range
-Fabulous family videos, vlogs, and other online content
-High image quality in a compact, lightweight body with 12 elements in 11 groups
-TAMRON’s VXD linear motor for high-level AF speed and precision
-Wide macro shooting: MOD of 0.17m (6.7 in) and maximum magnification ratio of 1:3.8 at the wide end
-Rapid zooming (Zoom ring rotation arc is just 65°)
-TAMRON Lens Utility™ software for “Focus Ring Function” setting and firmware updates
-New design with improved texture and scratch resistance
-67mm filter size, same as most other TAMRON lenses for mirrorless cameras
-User-friendly features (Moisture-Resistant Construction and Fluorine Coating)
-Compatible with many camera-specific features and functions, including Fast Hybrid AF and Eye AF
Model | A062 |
---|---|
Focal Length | 20-40mm |
Format Size | Di III |
Maximum Aperture | F/2.8 |
Minimum Aperture | F/22 |
Angle of View (diagonal) |
34°21'- 8°15' (for full-frame mirrorless format) |
Optical Construction | 12 elements in 11 groups |
Minimum Object Distance | (6.7 in) (WIDE) / (11.4 in) (TELE) |
Maximum Magnification Ratio | 1:3.8 (WIDE) / 1:5.1 (TELE) |
Filter Size | φ67mm |
Maximum Diameter | φ74.4mm |
Length* | (3.4 in) |
Weight | (12.9 oz) |
Aperture Blades | 9 (circular diaphragm)** |
Standard Accessory | Flower-shaped hood, Lens caps |
Mount | Sony E-mount |
$ 729.00 - Sold Out
For Full-Frame and APS-C Sony Mirrorless Cameras
All-In-One Zoom Lens for Sony E-Mount Cameras
Offers Fast aperture at Wide-angle in a Compact and Lightweight Design
The Tamron 28-200mm F2.8-5.6 is the world’s first all-in-one-zoom to achieve a maximum aperture of F2.8 at the 28mm wide-angle end. The new lens takes the convenience of an all-inone zoom and adds a fast-maximum aperture of F2.8 and remarkable image quality to enhance the potential for photographic applications. To assure superb optical performance, it features a precise arrangement of special lens elements that accommodate the increasingly high resolutions of today’s digital cameras. Enabling high quality image rendering throughout the zoom range, the lens responds to users’ photographic expressions in powerful style. With its 4.6” length, 20.3 oz. weight, and filter diameter of a mere 67mm, the 28-200mm F2.8-5.6 offers excellent portability. When combined with a compact, lightweight full-frame mirrorless camera, it allows photographers to capture virtually every scene they encounter in daily use, travel, sports and nature. Breaking conventional limitations and broadening the horizons of photographic possibilities, this zoom lens writes a new chapter in the history of the all-in-one zoom lens.
Features:
Moisture-Resistant Construction, Fluorine Coating, and Zoom Lock switch -Compatible with main camera-specific features and functions
Specifications
Model Name |
A071 |
Minimum Focus Distance |
7.5" WIDE / 31.5" TELE |
Focal Length |
28-200mm |
Max. Mag. Ratio |
1:3.1 WIDE / 1:3.8 TELE |
Format size |
Di III |
Maximum Diameter |
Ø74mm |
Maximum Aperture |
F/2.8~5.6 |
Length |
4.6" |
Minimum Aperture |
F/16~32 |
Weight |
20.3 oz. |
Diagonal Angle of View |
75°23'-12°21' (for full-frame mirrorless format) |
Diaphragm Blades |
7 (circular diaphragm) |
Lens Construction |
18 elements, 14 groups |
Standard Accessory |
Flower-shaped hood and caps |
Filter Diameter |
Ø67 |
Compatible Mount |
Sony FE |
$ 899.00 $ 699.00
With the goal of producing outstanding high image quality befitting a new fast-aperture zoom lens, TAMRON redesigned the optical design in the new 28-75mm F2.8 G2 from scratch. The optical construction of the Model A063 deploys 17 elements in 15 groups. To minimize optical aberrations to an extreme degree, two LD (Low Dispersion) and GM (Glass Molded Aspherical) lens elements are used in an optimal arrangement. The lens demonstrates high resolving power to the edges of the frame at all focal lengths, while also offering the soft and beautiful bokeh that is distinctive to fast-aperture lenses. The image quality shows marked improvements over the 1st-generation Model A036. The 28-75mm F2.8 G2 retains the same light weight and compact size while achieving significant improvements to resolution and overall performance across the entire zoom range. The new standard zoom is ideal for a wide range of photographic genres from street photography and portraiture to landscapes and general family events like vacations and holidays.
The AF drive system is equipped with VXD linear motor focus mechanism. VXD is exceptionally responsive and operates at high speed with great precision. The AF speed marks approximately twice1 as fast as the 1st-generation Model A036. With reliable, speedy focusing from the MOD to infinity and extremely good focus tracking, you are ready for those important moments even when photographing fast-moving subjects. Moreover, the AF drive motor is very quiet, making it ideal for still photography and videography when shooting in conditions where near-silence is required.
1 Compared to RXD (Rapid eXtra-silent stepping Drive) used in Model A036
Close focusing has also been improved. The MOD of the 28-75mm F2.8 G2 is 0.18m (7.1 in) at the wide 28mm end, an improvement over the 1st-generation Model A036. This allows photographers to capture powerful shots that emphasize the perspective effects unique to wide-angle photography when shooting close-ups. The working distance becomes about 4.4cm (1.7 in) at the MOD. The maximum magnification ratio is 1:2.7. Get closer to any subject and enjoy the world of wide macro photography. In addition, at the telephoto end the MOD is 0.38m (15 in). The magnification ratio when using the longer 75mm focal length is 1:4.1, enabling close-up shooting with greater working distance.
The 2nd-generation Model A063 incorporates the new ‘TAMRON Lens Utility’ software originally and uniquely developed by TAMRON. TAMRON Lens Utility can be operated using a computer by connecting the lens from its Connector Port via the optional TAMRON Connection Cable2. Users can customize the functions and update the firmware through the lens. The personal customization gives flexible shooting options to match the shooting situation such as still photography or videography.
2 TAMRON Connection Cable (USB Type-A to Type-C) sold separately.
TAMRON Lens Utility >
The all-new 28-75mm F2.8 G2 incorporates a new design that becomes the hallmark of TAMRON lenses introduced in the future. In constant pursuit of improving products in every way possible, TAMRON considered customer feedback and reviewed each part and component of the lens down to the finest details. As a result, TAMRON has enhanced both the operation and tactile presentation of the lens.
Model | A063 |
---|---|
Focal Length | 28-75mm |
Maximum Aperture | F2.8 |
Angle of View (diagonal) |
75°23'- 32°11' (for full-frame mirrorless format) |
Optical Construction | 17 elements in 15 groups |
Minimum Object Distance | 0.18m (7.1 in) (WIDE) / 0.38m (15 in) (TELE) |
Maximum Magnification Ratio | 1:2.7 (WIDE) / 1:4.1 (TELE) |
Filter Size | φ67mm |
Maximum Diameter | φ75.8mm |
Length* | 117.6mm (4.6 in) |
Weight | 540g (19 oz) |
Aperture Blades | 9 (circular diaphragm)** |
Minumum Aperture | F22 |
Standard Accessory | Flower-shaped hood, Lens caps |
Mount | Sony E-mount |
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Release Date
October 28th, 2021
$ 1,899.00 - Sold Out
Tamron SKU: AFA058S700 | Helix SKU: TRAFA058S700
Versatile zoom range and breathtaking image quality
The world's first1 F2 all-in-one full-frame mirrorless travel zoom lens
From expansive scenery to magnificent cityscapes—you can capture it all. We created a fast-aperture zoom lens ideal for the creation of art while traveling to take photos. The 35-150mm F/2-2.8 Di III VXD (Model A058) is a high resolution travel zoom lens that covers everything from the 35mm wide angle to the 150mm telephoto focal length, the first zoom lens achieving an aperture of F2 at the wide angle in a Sony full-frame mirrorless lens. This versatile all-in-one zoom enables photography of beautiful natural scenery, urban landscapes, impressive buildings, restaurant interiors, city night views and more while traveling, without having to change lenses—or changing your distance from the subject when composing. It has a groundbreaking fast-aperture and utilizes the linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive), thereby achieving high speed, high precision autofocusing. The innovative lens design enabled us to greatly improve the lens's grip and functionality and includes a Connector Port on the lens barrel. The port enables users to apply the TAMRON Lens Utility™, developed in-house, to easily customize functions and to update firmware. The 35-150mm F2-2.8 allows photographers to shoot at the common focal lengths frequently used when creating art while traveling, from the wide angle to normal, semi-telephoto, and telephoto—and anything in between. This empowers you to clearly capture the scenes as you envision them with its overwhelming resolving power and amazing flexibility. If you're looking to get your hands on the powerful 35-150mm A058, head to one of our authorized Tamron dealers today!
The 35-150mm F2-2.8 features an optimal combination of four LD (Low Dispersion) lens elements that subdue aberrations, and three extraordinary GM (Glass Molded Aspherical) lens elements. Together they assure high optical performance that enhances your ability to capture all the incredible scenery you encounter while traveling. TAMRON has achieved a maximum aperture of F2 at the wide-angle end and F2.8 at the telephoto end, enabling you to achieve beautiful, soft bokeh across the entire zoom range. The lens also makes it possible to capture subjects clearly in more situations. The lens's fast maximum aperture helps you control camera movement by permitting a higher shutter speed, or when trying to reduce noise by choosing a low ISO. Even when used with the latest mirrorless cameras that require high resolution performance, images are sharp edge-to-edge and from center to every corner, across the entire frame of the photo.
This zoom lens covers everything from the 35mm wide angle to 150mm telephoto, including all the commonly used focal lengths, so it’s very handy for travel because it can replace several single lenses. Seamlessly take photos without switching lenses in various situations. Change to an 85mm semi-telephoto angle of view, focus on a faraway subject at 150mm, and make full use of the 35mm and 50mm focal lengths. Change composition without changing your distance from the subject. You can use just this one lens to capture a wide range of photos while traveling, from landscapes to snapshots and portraits. Our design goal was portability and compact design while achieving a spectacular specification of F2-2.8 with a 4.3x zoom ratio.
The autofocus drive employs the VXD linear motor focus mechanism. You can easily achieve focus from the MOD (Minimum Object Distance) to infinity, even at the maximum F2 aperture, thanks to the speed and precision of this highly accurate autofocus system. Focus tracking is also extremely precise so you can capture sudden movements by your subject. The linear motor also suppresses drive noise and vibrations during focusing, making it ideal for shooting both still photos and video in environments that demand quietness.
The Model A058 incorporates the new ‘TAMRON Lens Utility’ software originally and uniquely developed by TAMRON. TAMRON Lens Utility can be operated using a computer by connecting the lens from its Connector Port via the optional TAMRON Connection Cable2. Users can customize the functions and update the firmware through the lens. The personal customization gives flexible shooting options to match the shooting situation such as still photography or videography.
2 TAMRON Connection Cable (USB Type A to Type C) sold separately.
The new 35-150mm F2-2.8 boasts the ability to take closeup photographs extremely close to the subject. At the 35mm wide-angle end, the MOD is 0.33m (13 in), achieving a maximum magnification ratio of 1:5.7. To further accentuate the subject and separate it visually from its surroundings you can create a greatly blurred background using the large F2-2.8 maximum aperture. You can also take unique and impressive photos, including overhead shots of food and close-ups of parts of small objects, flowers, or other subject details.
The Model A058 incorporates a new design that becomes the hallmark of TAMRON lenses introduced in the future. In constant pursuit of improving products in every way possible, TAMRON considered customer feedback and reviewed each part and component of the lens down to the finest details. As a result, TAMRON has enhanced both the operation and tactile presentation of the lens.
・Fast Hybrid AF
・Eye AF
・Direct Manual Focus (DMF)
・ In-camera lens correction (shading, chromatic aberration, distortion)
* Features vary by camera. Please consult your camera’s instruction manual for details.
* As of August, 2021
Model | A058 |
---|---|
Focal Length | 35-150mm |
Maximum Aperture | F2-2.8 |
Angle of View (diagonal) |
63°26'- 16°25' (for full-frame mirrorless format) |
Optical Construction | 21 elements in 15 groups |
Minimum Object Distance |
0.33m (13 in) (WIDE) / 0.85m (33.5 in) (TELE) |
Maximum Magnification Ratio |
1:5.7 (WIDE) / 1:5.9 (TELE) |
Filter Size | φ82mm |
Maximum Diameter | φ89.2mm |
Length* | 158mm (6.2 in) |
Weight | 1,165g (41.1 oz) |
Aperture Blades | 9 (circular diaphragm)** |
Minumum Aperture | F16-22 |
Standard Accessory | Flower-shaped hood, Lens caps |
Mount | Sony E-mount |
$ 1,199.00
Tamron SKU: AFA056S-700 | Helix SKU: TRAFA056S700
$ 549.00
Tamron SKU: AFA047S-700 | Helix SKU: TRAFA047S700
The 70-300mm F/4.5-6.3 Di III RXD (Model A047) for Sony full-frame E-mount mirrorless cameras is a telephoto zoom lens designed and created so photographers of all skill levels can enjoy high quality images comfortably. Tamron’s new 70-300mm F4.5-6.3 covers a broad telephoto zoom range yet is the world's smallest size and lightest weight, coming in at 148mm (5.8 in) long with a maximum diameter of 77mm, and weighing just 545g (19.2 oz). With special emphasis on resolving power, Tamron has deployed special lens elements appropriately arranged to correct chromatic aberration, generally very strong in a telephoto lens, as well as other aberrations. Users can enjoy high-resolution images combined with the stunning bokeh qualities that are achievable only with a telephoto lens. The lens also incorporates the RXD (Rapid eXtra-silent stepping Drive) stepping motor unit, a high-speed precision AF drive system that is remarkably quiet. Tamron's Moisture-Resistant Construction provides extra protection, while various features that are built into Sony mirrorless cameras, including "Eye AF," are supported. The 70-300mm F4.5-6.3 is a versatile lens for photographing landscapes, sports and other action, pets and wildlife and more. The lens also demonstrates its potential for portrait shooting, casual snapshots and scenarios that require you to be mobile and shoot handheld, like sporting events. The apparent image compression and the close-up effects characteristic of telephoto lenses naturally amplify photographic expression. Zooming in on distant objects and making them appear closer is one of the joys of telephoto shooting. This zoom lens provides an entryway into that new world.
To make the 300mm telephoto focal length more fun and accessible, Tamron focused intently on designing a telephoto zoom lens that’s both small and lightweight. Turning the conventional concept of a telephoto lens on its head, the 70-300mm F4.5-6.3 is only 148mm (5.8 in) in length with a maximum diameter of 77mm and a weight of just 545g (19.2 oz). This gives users the freedom to concentrate fully on shooting without worrying about lens size or weight. In addition to those wishing to pursue real telephoto shooting for the first time, the lens is also recommended for people who use cameras that have built-in image stabilization because they can leave the tripod at home. Of special significance, when paired with the APS-C sized E-mount Sony cameras, this zoom adds additional telephoto reach and still remains comfortable to handle. Users can enjoy shooting with even higher power telephoto effects at a maximum equivalent focal length of approximately 450mm 2.
2 For APS-C mirrorless format: 105-450mm equivalent field-of-view
The 70-300mm F4.5-6.3 zoom’s optical design was refined via thorough simulations utilizing the latest technologies. With high priority on reduced size and weight, Tamron selected the aperture of F6.3 for the telephoto end to achieve a slim lens barrel and outstanding lightness. Taking the weight savings even further, we used a specially treated, high-strength aluminum-magnesium alloy3, the first time Tamron has used this material in the mount components of a lens for full-frame mirrorless cameras. The new design maintains excellent strength while successfully reducing weight to around 68% of previous mounts. The lens is made up of 15 elements in 10 groups with an appropriate arrangement of LD (Low Dispersion) lens elements. Eliminating waste to the extreme degree, Tamron reduced weight while still achieving very high image quality in the 70-300mm F4.5-6.3. Aberrations such as axial chromatic aberration (which tends to occur in telephoto lens designs) have been well corrected. The 300mm end, which receives particularly frequent use in a telephoto zoom, provides excellent high-resolution performance from the center of the image all the way to the corners. Stunning bokeh (intentional background blur qualities) are another remarkable feature of this new lens. Subjects are accentuated against the beautifully soft bokeh effects in the background. To suppress ghosting and flare, the lens uses Tamron's BBAR (Broad-Brand Anti-Reflection) Coating, which is renowned for its anti-reflection performance. In addition, the actuation of the lens correction features built into Sony cameras lets users enjoy enhanced performance and functions.
3 High-strength aluminum-magnesium alloy: An alloy mainly comprised of aluminum with a high magnesium content.
The AF drive on the 70-300mm F4.5-6.3 includes an RXD motor unit to help you stay focused on the action. RXD uses an actuator to precisely control the rotational angle of the motor, allowing it to directly drive the focusing lens without passing through a reduction gear. A sensor that precisely detects the position of the lens enables high-speed and accurate AF, which is ideal when shooting continually moving subjects or recording video. And with a focusing system that is both smooth and quiet, the 70-300mm F4.5-6.3 lets you shoot free from stress not worrying the drive sound in a quiet environment.
Tamron’s new 70-300mm F4.5-6.3 zoom is compatible with many of the advanced features that are specific to mirrorless cameras. This includes:
- Fast Hybrid AF
- Eye AF
- Direct Manual Focus (DMF)
- In-camera lens correction (shading, chromatic aberration, distortion)
- Camera-based lens unit firmware updates
Model | A047 |
---|---|
Focal Length | 70-300mm |
Maximum Aperture | F4.5-6.3 |
Angle of View (diagonal) |
34°21'-8°15' (for full-frame mirrorless format) |
Optical Construction | 15 elements in 10 groups |
Minimum Object Distance | 0.8m (31.5 in) (WIDE) / 1.5m (59.1 in) (TELE) |
Maximum Magnification Ratio | 1:9.4 (WIDE) / 1:5.1 (TELE) |
Filter Size | φ67mm |
Maximum Diameter | φ77mm |
Length* | 148mm (5.8 in) |
Weight | 545g (19.2 oz) |
Aperture Blades | 7 (circular diaphragm)** |
Minumum Aperture | F22-32 |
Standard Accessory | Round-shaped hood, Lens caps |
Compatible Mounts | Sony E-mount |
* Length is the distance from the front tip of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
$ 1,199.00 $ 1,079.00
Zeiss SKU: 000000-2103-751 | Helix SKU: ZS2103751
Thanks to a speed of 1:1.8, very low depths of field can be used creatively. The optical image stabilization allows for successful hand-held shooting even in poor light conditions. With a focal length of 85 mm, the lens is the perfect companion for portrait, event, and wedding photography.
The ZEISS Batis autofocus lenses were developed especially for mirrorless full-frame system cameras by Sony. The lenses are fully compatible with all E-mount cameras and offer protection against dust and splashing water in addition to fast and easy autofocus. For creative work, the distance and depth of field can be read from the innovative OLED display. With the completely new lens design, the high-speed ZEISS Batis family offers perfect imaging performance.
A lens design with relatively few glass-to-air surfaces, invented by Dr. Ludwig Bertele at ZEISS in 1930 to provide the fastest lenses of that day for 35 mm photography offering speeds up to f/1.5 and well controlled veiling glare. This is where the name comes from, containig the German word for sun, ’Sonne’, the symbol of utmost brightness.
The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers
Optical image stabilization gives you clear, steady images in poor light conditions. Combined with the camera's own OIS, it provides you the benefits of both systems. In addition, this feature also allows for perfect images without digital noise, as the OIS values do not have to be increased to compensate for poor light conditions.
Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions – excellent readability is always guaranteed.
Performance | Focal length | 85 mm |
Aperture range | f/1.8 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,80 m (2.6 ft) – ∞ | |
Free working distance | 0,71 m (2.3 ft) – ∞ | |
Angular field** (diag. | horiz. | vert.) | 29° / 24° / 16° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 189 x 283 mm (7.4 x 11.1") | |
Image ratio at minimum object distance | 1:7.9 | |
Lens elements | groups | 11 / 8 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 18 mm (0.72") | |
Features | Autofocus | + |
Image Stabilization | + | |
Physical | Filter thread | M67 x 0.75 |
Rotation angle of focusing ring | Focusing not mechanically coupled | |
Diameter max. | 92 mm (3.6") | |
Diameter of focusing ring | 78 mm (3.1") | |
Length (with lens caps) | 105 mm (4.1") | |
Length (without lens caps) | 92 mm (3.6") | |
Weight | 452 g (1.0 lbs) |
$ 1,499.00 $ 1,349.00
Zeiss SKU: 000000-2136-691 | Helix SKU: ZS2136691
Very large field angle and fast autofocus – combined with protection against dust and spray water for reliable photography in all weathers: this is the ideal full-frame lens for landscape, astro and architectural photography.
The very large field angle of this super wide-angle lens is perfect for creative shots with unusual perspectives. Consistently excellent image quality right into the corners makes the lens perfect for the challenges of, for example, landscape, astro and architectural photography.
The ZEISS Batis autofocus lenses were specially developed for mirrorless full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and spray water. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions – excellent readability is always guaranteed.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.
Performance | Focal length | 18 mm |
Aperture range | f/2.8 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,25 m (9.8") – ∞ | |
Free working distance | 0,17 m (6.7") – ∞ | |
Angular field** (diag. | horiz. | vert.) | 99° / 90° / 67° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 227 x 340 mm (8.9 x 13.4") | |
Image ratio at minimum object distance | 1 : 9.5 | |
Lens elements | groups | 11 / 10 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 73 mm (2.9") | |
Features | Autofocus | + |
Image Stabilization | – | |
Physical | Filter thread | M77 x 0.75 |
Rotation angle of focusing ring | Focusing not mechanically coupled | |
Diameter max. | 100 mm (3.9") | |
Diameter of focusing ring | 78 mm (3.1") | |
Length (with lens caps) | 95 mm (3.7") | |
Length (without lens caps) | 80 mm (3.1") | |
Weight | 330 g (0.74 lbs) |
$ 1,699.00 $ 1,529.00
Zeiss SKU: 2136-695 | Helix SKU: ZS2136695
Long focal length, fast autofocus, optical image stabilization. Thanks to the outstanding correction of all chromatic aberrations, the ZEISS Batis 2.8/135 is a high-performance telephoto lens with an Apo Sonnar design. The lens is the optimum solution for medium-distance portrait photography.
The advanced correction of the Apo Sonnar lens design ensures extremely realistic portrayal of your subject. To avoid shaking, an optical image stabilizer has also been integrated in the design. The fast and precise autofocus is your guarantee of sharply defined images - even in difficult light. The shallow depth of field at maximum aperture allows the creative combination of focus and blur, allowing you to direct the viewer's attention to the main subject of your photo.
The ZEISS Batis autofocus lenses were specially developed for mirrorless, full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer protection against dust and weather in addition to fast and quiet autofocus. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
A lens with relatively few glass-air surfaces, it was developed by Dr. Ludwig Bertele at ZEISS in 1930. At the time it was one of the fastest high-speed lenses for 35 mm photography, with apertures as large as 1:1.5 and high contrast thanks to effective stray light reduction. Its high speed and high contrast helped give the lens its name, which is derived from the word “sun,” the symbol of maximum brightness. You continue to find the aforementioned benefits with modern lenses in the normal and telephoto ranges whose optical design is based on this basic type.
Performance | Focal length | 135 mm |
Aperture range | f/2.8 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,87 m (2.9 ft) – ∞ | |
Free working distance | 0,74 m (2.4 ft) – ∞ | |
Angular field** (diag. | horiz. | vert.) | 18° / 15° / 10° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 125 x 185 mm (4.9 x 7.3") | |
Image ratio at minimum object distance | 1:5.3 | |
Lens elements | groups | 14 / 11 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | ||
Features | Autofocus | + |
Image Stabilization | + | |
Physical | Filter thread | M67 x 0.75 |
Rotation angle of focusing ring | Focusing not mechanically coupled | |
Diameter max. | 98 mm (3.9") | |
Diameter of focusing ring | 81 mm (3.2") | |
Length (with lens caps) | 133 mm (5.2") | |
Length (without lens caps) | 120 mm (4.7") | |
Weight | 614 g (1.4 lbs) |
$ 1,299.00 $ 1,169.00
Zeiss SKU: 000000-2103-750 | Helix SKU: ZS2103750
Short close-focusing distance, high speed, fast autofocus, and a wide field angle for the full frame: the professional lens for exceptional perspectives in landscape, architecture, street photography and photojournalism.
The very close focusing distance of the 25 mm wide-angle lens supports the creative implementation of exceptional perspectives. An extremely uniform image quality is ensured right into the corners of the image. The lens is the perfect companion for shooting landscapes, architecture, street scenes and photojournalism.
The ZEISS Batis autofocus lenses were specially developed for mirrorless full-frame system cameras from Sony. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and spray water. For creative photography, the innovative OLED display shows the distance and depth of field to ensure that the focusing range can always be perfectly set. The result: images that will amaze you. The completely new design of the high-speed ZEISS Batis family offers perfect image quality.
The design of the autofocus system requires an extremely accurate shifting of particular lens groups. The focusing system of ZEISS lenses is designed to ensure a robust and smooth-running autofocus mechanism with the best imaging performance.
The powerful lens for the mirrorless full-frame system of Sony fulfills the highest requirements. Despite its compact design, the image meets the expectations of professional photographers.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Thanks to features that are designed to keep out dust and spray water, the lens is perfectly suited for critical outdoor conditions. It is also designed for many years of intensive use.
For the first time, you can accurately read the focus distance and depth of field simply and intuitively on the OLED display on the lens. Especially in poor light conditions – excellent readability is always guaranteed.
Originally developed for SLR cameras requiring a long back focal distance for short focal lengths because of the mirror box (the distance between the back lens element and the film plane must be considerably longer than the focal length), the Distagon lenses (retrofocus design) are also ideal for mirrorless system cameras thanks to their optimized ray path. Even with longer focal lengths, the high-performance Distagon optical design enables consistently good correction all the way to the corners of the image and very low field curvature.
Performance | Focal length | 25 mm |
Aperture range | f/2 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,2 m (7.9") – ∞ | |
Free working distance | 0,13 m (5.1") – ∞ | |
Angular field** (diag. | horiz. | vert.) | 82° / 72° / 51° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 124 x 187 mm (4.9 x 7.4") | |
Image ratio at minimum object distance | 1:5.2 | |
Lens elements | groups | 10 / 8 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 70 mm (2.7") | |
Features | Autofocus | + |
Image Stabilization | – | |
Physical | Filter thread | M67 x 0.75 |
Rotation angle of focusing ring | Focusing not mechanically coupled | |
Diameter max. | 81 mm (3.2") | |
Diameter of focusing ring | 78 mm (3.1") | |
Length (with lens caps) | 92 mm (3.6") | |
Length (without lens caps) | 78 mm (3.1") | |
Weight | 335 g (0.74 lbs) |
$ 1,299.00 $ 1,169.00
ZEISS SKU: 2239-137 | Helix SKU: ZS2239137
Lightweight wide-angle lens, fast autofocus, close focusing distance: with a 40-millimeter fixed focal length, this lens is excellent for the applications of a standard focal length as well as for typical shooting situations with lightweight wide-angle lenses. An all purpose lens that offers outstanding imaging quality, making it ideal for close-ups.
Thanks to its close focusing distance of just 24 centimeters (9.4 inches), combined with its moderate wide-angle imaging the CloseFocus lens (CF) is excellent for a host of different applications. Thanks to its high micro contrast and initial aperture of f/2, it can perfectly depict individual objects. The ZEISS Batis 2/40 CF on the camera ensures you’re always ready for the important moments – no matter what comes your way. And if you only want to carry one lens with you, this is the best one for your discerning photographer’s eye.
The ZEISS Batis autofocus lenses were specially developed for mirrorless, full-frame sensor cameras from Sony. They have been adapted to work with the camera to form a compact, lightweight system that doesn’t compromise on performance. The lenses are fully compatible with all E-mount cameras and offer not only fast, quiet autofocus, but also protection against dust and weather. For creative photography, the innovative OLED display shows the distance and depth of field to ensure the focusing range can always be perfectly set. The high-speed fixed focal lengths of the ZEISS Batis family offer flawless imaging thanks to their completely revamped optical design. The legendary ZEISS T* anti-reflective coating, combined with more than 125 years of experience in lens development and the latest technologies, ensure that every moment captured with a ZEISS Batis lens provides that exceptional ZEISS look.
$ 1,399.00
Zeiss SKU: 2162-636 | Helix SKU: ZS2162636
Portable, inconspicuous, powerful – fitting ways to describe the ZEISS Loxia 2.4/85 telephoto lens. The completely reworked optical design has been specially developed using seven lens elements for the high-resolution, full-frame sensors of the mirrorless Sony α series. The Loxia 2.4/85 supplements the focal lengths of the ZEISS Loxia product family in the short telephoto lens segment.
Despite its compactness the handy ZEISS Loxia® 2.4/85, a moderate telephoto lens offers outstanding image performance – across the entire image field of a full-frame sensor. Be it for a portrait or a street or landscape shot, this inconspicuous lens is great for helping you master these photographic disciplines.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‚classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
$ 1,499.00
Zeiss SKU: 000000-2131-999 | Helix SKU: ZS2131999
Compact, wide-angle and powerful – these are the properties that make the super wide-angle Loxia 2.8/21 so special. The optical design has been specially developed for high-resolution, full-frame sensors of the mirrorless Sony α series. A system expansion through the new ZEISS Loxia – in a focal length range that has a long tradition at ZEISS.
Despite its compactness, the super wide-angle ZEISS Loxia® 2.8/21 offers outstanding image performance – across the entire image field of a full-frame sensor. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. It is an absolute must for wide-angle fans who want to capture even the tiniest details of a special moment in a photo or on film.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‘classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
DeClick feature
One completely new feature of the Loxia lens is that you can ‘declick’ the aperture’s locking mechanism using a tool (supplied) and an adjustment screw on the bayonet surface. This means that for video applications, you can smoothly eliminate any unwanted differences in brightness as you pan the camera. This feature can also be used with other video systems whose size makes them suitable for adaption.
Precise manual focus
Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter and feet, and the depth of focus scale provide additional support for manually focusing.
Virtually distortion-free optics
Dramatic perspectives and a view from extraordinary image angles – ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.
High-grade full-metal casing
Tangible quality that holds its value is what qualifies ZEISS lenses for decades of hard use. A precision-engineered full-metal casing, grippy focus and aperture rings made of metal, and a tough front bayonet and filter screw guarantee stunning photographic results. A special sealing ring on the bayonet also protects the interface between the camera and the lens.
Immensely compatible
The ZEISS Loxia lenses are suitable for use with the mirrorless Sony Alpha cameras with E-mount and were optimized for sensors up to full 35 mm format (24 x 36 mm). With the ZEISS Loxia lenses, the aperture is controlled manually. This allowed the integration of the so-called DeClick feature of the mechanical aperture ring. The cameras feature the corresponding automatic exposure control (A) and manual exposure control (M).
Lens Design
ZEISS Loxia 2.8/21
Performance | Focal length | 21 mm |
Aperture range | f/2.8 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,25 m (9.84") – ∞ | |
Free working distance | 0,16 m (6.30") – ∞ | |
Angular field** (diag. | horiz. | vert.) | 91° / 81° / 59° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 281 x 187 mm (11.06 x 7.36") | |
Image ratio at minimum object distance | 1 : 7.81 | |
Lens elements | groups | 11 / 9 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 67 mm (2.63") | |
Features | Autofocus | – |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 90° | |
Diameter max. | 62 mm (2.44") | |
Diameter of focusing ring | 62 mm (2.44") | |
Length (with lens caps) | 85 mm (3.35") | |
Length (without lens caps) | 72 mm (2.83") | |
Weight | 394 g (0.87 lbs) |
$ 1,299.00
Zeiss SKU: 000000-2103-749 | Helix SKU: ZS2103749
Light, unassuming and reserved. The moderate wide angle and the creative possibilities of manual focus make the ZEISS Loxia 2/35 a perfect storyteller.
The ZEISS Loxia® 2/35 offers an extended field of view. This makes it the first choice for showing a subject in their environment or establishing connections between people. Like in reportage or street photography, for example. That’s what makes it the most important focal length for the genre in compact 35mm cameras. At the same time, the small size and weight of this camera system allows for a great deal of independence and discretion when it comes to photographing your subjects. And precise, manual focus gives you all the creative possibilities you need to tell the story in your own personal way.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‘classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
One completely new feature of the Loxia lens is that you can ‘declick’ the aperture’s locking mechanism using a tool (supplied) and an adjustment screw on the bayonet surface. This means that for video applications, you can smoothly eliminate any unwanted differences in brightness as you pan the camera. This feature can also be used with other video systems whose size makes them suitable for adaption.
Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter and feet, and the depth of focus scale provide additional support for manually focusing.
Dramatic perspectives and a view from extraordinary image angles – ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.
Tangible quality that holds its value is what qualifies ZEISS lenses for decades of hard use. A precision-engineered full-metal casing, grippy focus and aperture rings made of metal, and a tough front bayonet and filter screw guarantee stunning photographic results. A special sealing ring on the bayonet also protects the interface between the camera and the lens.
The ZEISS Loxia lenses are suitable for use with the mirrorless Sony Alpha cameras with E-mount and were optimized for sensors up to full 35 mm format (24 x 36 mm). With the ZEISS Loxia lenses, the aperture is controlled manually. This allowed the integration of the so-called DeClick feature of the mechanical aperture ring. The cameras feature the corresponding automatic exposure control (A) and manual exposure control (M).
A lens with such a large field angle that it can capture as much of the photographer's surroundings as possible in a single shot – this is the origin of the name Biogon®. The largely symmetrical Biogon optical design enables the use of very compact, moderate to extremely wide-angle lenses, including with rangefinder and mirrorless system cameras. The lenses feature exceptionally good distortion correction, chromatic properties and image field flattening.
Performance | Focal length | 35 mm |
Aperture range | f/2.0 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,30 m (11.81") - ∞ | |
Free working distance | 0,23 m (9.06") - ∞ | |
Angular field** (diag. | horiz. | vert.) | 63° / 54° / 38° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 210 x 139 mm (8.28 x 5.49") | |
Image ratio at minimum object distance | 1 : 5.8 | |
Lens elements | groups | 9 / 6 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 52 mm (2.03") | |
Features | Autofocus | – |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 180° | |
Diameter max. | 62 mm (2.44") | |
Diameter of focusing ring | 62 mm (2.44") | |
Length (with lens caps) | 66 mm (2.60") | |
Length (without lens caps) | 59 mm (2.33") | |
Weight | 340 g (0.75 lbs) |
$ 949.00
Zeiss SKU: 000000-2103-748 | Helix SKU: ZS2103748
Our compact standard lens for full frame Sony α7 cameras. Revel in the exceptional feel of precise manual focus, giving you unparalleled creative freedom at your fingertips.
A 50mm lens was legendary photographer Cartier Bresson’s favourite. The reason is simple: this focal length provides the equivalent field of view of the human eye on a 35mm camera, which makes for a very natural perspective. Compact, light and extremely flexible, the ZEISS Loxia® 2/50 shines in the most varied of applications. Regardless of whether it’s for street photography, landscapes, portraits or spontaneous discoveries, the ZEISS Loxia 2/50 is the ideal companion for photographic and filmic exploration.
ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‚classic’ photography with manual focus at the same time.
And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.
One completely new feature of the Loxia lens is that you can ‘declick’ the aperture’s locking mechanism using a tool (supplied) and an adjustment screw on the bayonet surface. This means that for video applications, you can smoothly eliminate any unwanted differences in brightness as you pan the camera. This feature can also be used with other video systems whose size makes them suitable for adaption.
Manually focusing a lens means controlling the image result from your fingertips. A good ergonomic design makes all the difference. ZEISS lenses stand out with their large rotation angle which enables precise focusing. Changes are immediately visible in the viewfinder. The high-quality focusing mechanism moves smoothly without play, thus also supporting the intuitive interaction with the focal plane. The precise engraving in meter and feet, and the depth of focus scale provide additional support for manually focusing.
Dramatic perspectives and a view from extraordinary image angles – ZEISS lenses open up new composition possibilities. Distortion would disrupt the composition because straight lines, whose image does not go through the image center, would be reproduced with a curved shape. This annoying effect is accordingly and largely compensated through elaborate optical designs at all focal lengths.
Tangible quality that holds its value is what qualifies ZEISS lenses for decades of hard use. A precision-engineered full-metal casing, grippy focus and aperture rings made of metal, and a tough front bayonet and filter screw guarantee stunning photographic results. A special sealing ring on the bayonet also protects the interface between the camera and the lens.
The ZEISS Loxia lenses are suitable for use with the mirrorless Sony Alpha cameras with E-mount and were optimized for sensors up to full 35 mm format (24 x 36 mm). With the ZEISS Loxia lenses, the aperture is controlled manually. This allowed the integration of the so-called DeClick feature of the mechanical aperture ring. The cameras feature the corresponding automatic exposure control (A) and manual exposure control (M).
The Planar lens design is the most successful – and most frequently copied – camera lens design of all time. Modifications to the tried-and-tested six-lens basic type ensure that it achieves the high imaging quality required by modern sensors. Lenses with a Planar optical design enable consistent performance across a large range of image scales – the key requirement for universal macro-lenses.
Performance | Focal length | 50 mm |
Aperture range | f/2.0 – f/22 | |
Camera mount | Sony E-Mount* | |
Format compatibility | Full Frame | |
Focusing range | 0,45 m (17.72") - ∞ | |
Free working distance | 0,37 m (14.57") - ∞ | |
Angular field** (diag. | horiz. | vert.) | 47° / 39° / 27° | |
Diameter of image field | 43 mm (1.69") | |
Coverage at close range (MOD)** | 255 x 168 mm (10.04 x 6.63") | |
Image ratio at minimum object distance | 1 : 6.9 | |
Lens elements | groups | 6 / 4 | |
Flange focal distance | 18 mm (0.71") | |
Entrance pupil position (front of image plane) | 49 mm (1.91") | |
Features | Autofocus | – |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 180° | |
Diameter max. | 62 mm (2.44") | |
Diameter of focusing ring | 62 mm (2.44") | |
Length (with lens caps) | 66 mm (2.60") | |
Length (without lens caps) | 59 mm (2.33") | |
Weight | 320 g (0.71lbs) |
$ 720.00 $ 648.00
ZEISS SKU: 2030-678 | Helix SKU: ZS2030678
A compact standard focal length with autofocus, especially designed and constructed for compact APS-C cameras of the Sony Alpha series with E-Mount and Fujifilm X series. A lens that makes it so easy to spontaneously capture your special moments and preserve them in perfect pictures.
The best of two worlds. Just like a 50 mm lens in 35 mm photography, the ZEISS Touit® 1.8/32 offers the same angle of view as the human eye. However, optimised for use with APS-C format sensors, it is simultaneously a lens that is so light and compact that it can be taken along simply anywhere and everywhere you go. Whether you are shooting portraits, landscapes or spontaneous snapshots, you will never cease to be amazed by what a ZEISS Touit 1.8/32 can tease out of your camera. It is quite simply the ideal companion for capturing perspectives and colour- and lighting moods in perfect pictures.
$ 999.00 $ 899.00
ZEISS SKU: 2030-526 | Helix SKU: ZS2030526
Thanks to the combination of one of the widest fields of view in APS-C format photography with fantastic imaging performance and light weight, this lens makes wide-angle photography even more fascinating.
With an angle of view of 99 degrees, the ZEISS Touit® 2.8/12 wide-angle lens will soon become a firm favourite, particularly for landscapes and architectural photography. Its unique ZEISS T*® multicoating guarantees maximum transmission and outstanding absorption of extraneous light. The result: breathtaking image quality from edge to edge and corner to corner of the entire image field. What’s more, all moving parts of the ZEISS Touit 2.8/12, conceived specifically for APS-C cameras of the Sony Alpha series with E-Mount and Fujifilm X Series, are engineered for extreme precision and a long service life. And finally, its strong and rigid metal bayonet mount makes it an absolutely dependable companion for many years to come.
$ 999.00 $ 899.00
ZEISS SKU: 2030-680 | Helix SKU: ZS2030680
With its exceptional image performance up to a scale of 1:1, this macro lens is the ideal choice for extreme close ups. But it also comes into its own when shooting portraits or panoramas as a light tele-lens.
The delicate structure of a petal, the tiny hairs on a cat’s fur or the seductive lines at the corner of the eyes – whenever a shot is all about the minute details, the ZEISS Touit® 2.8/50M will delight and inspire. It not only allows you to portray objects in their original size, but also provides for beautiful contrast between the pin sharp focus of the image and the softly sketched background thanks to its aperture of 2.8.
The design of the autofocus system demands an extremely precise movement of certain lens elements. As the mass of the elements or groups to be moved within the optical system differs, various motor types may be installed. The focusing system of the Touit lenses is designed to guarantee robust and smooth autofocusing without any need for compromises or limitations in their optical design.
Information: To achieve maximum compatibility on APS-C cameras of the Sony Alpha series with E-Mount (AF in video mode) we highly recommend using the latest Sony firmware.
The ZEISS Touit 2.8/50M lets you capture the smallest things and the tiniest details at their actual size. At its closest focusing distance, subjects sized 15x23 mm fill the frame with an impressive maximum reproduction ratio of 1:1. The imaging performance of the ZEISS Touit 2.8/50M is just as exceptional at such short distances as it is at medium and long distances. Minimum distortion, outstanding correction of chromatic aberrations, minimal image field curvature and excellent correction of coma and astigmatism allow true-to-life reproduction of any subject, particularly in combination with the high resolving power of modern sensors.
The ZEISS Touit lenses are designed and constructed specifically for use on APS-C cameras of the Sony Alpha series with E-Mount and Fujifilm X series. The lenses are therefore fully compatible and support all camera functions, including autofocus.
Richly saturated and vivid colours are a must in the creation of lasting impressions. However, stray light within an optical system leads to a lightening of the image that is particularly noticeable in the shadows. This reduces image contrast, with the result that exposures lack contrast and appear faded. To avoid this, ZEISS combines various specially developed technologies to reduce the undesirable effects of stray light.
Today’s camera technologies and high-resolution sensors demand continuous improvement of lens performance. Thanks to the use of the latest floating element design principles, optical aberration effects in ZEISS lenses are reduced to a minimum throughout their entire focusing range. This is achieved by variation of the axial distance between individual lens elements or groups. This adjustment of the lens-to-lens distance is coupled to the distance setting to ensure correct compensation at all times. The mechanical construction of these lenses is extremely complex and they must be assembled with utmost precision – both of which are key competencies of ZEISS.
Performance | Focal length | 50 mm |
Aperture range | f/2.8 – f/22 | |
Camera mount | Sony E-Mount* | Fujifilm X-Mount* | |
Format compatibility | APS-C | |
Focusing range | 0,15 m (6.02") – ∞ | |
Free working distance | 0,05 m (1.97 ″) – ∞ | |
Angular field** (diag. | horiz. | vert.) | 31° / 26° / 18° | |
Diameter of image field | 28 mm (1.11") | |
Coverage at close range (MOD)** | 24 x 16 mm (0.93 x 0.61") | |
Image ratio at minimum object distance | 1 : 1 | |
Lens elements | groups | 14 / 11 | |
Flange focal distance | E: 18 mm (0.71") | X: 18 mm (0.70") | |
Entrance pupil position (front of image plane) | 67 mm (2.67") | |
Features | Autofocus | + |
Image Stabilization | – | |
Physical | Filter thread | M52 x 0.75 |
Rotation angle of focusing ring | 720° | |
Diameter max. | E: 75 mm (2.95") | X: 75 mm (2.95") | |
Diameter of focusing ring | E: 65 mm (2.56") | X: 65 mm (2.56") | |
Length (with lens caps) | E: 104 mm (4.09") | X: 108 mm (4.25") | |
Length (without lens caps) | E: 91 mm (3.58") | X: 91 mm (3.58") | |
Weight | E: 290 g (0.64 lbs) | X: 290 g (0.64 lbs) |