9.Solutions Tablet Holder with 1/4" and 3/8" Mounts
$ 49.99
9.Solutions Tablet Holder with 1/4" and 3/8" Mounts
9.Solutions SKU: 9.VB5103 | Helix SKU: NS9VB5103
Overview
The Tablet Holder is an ideal support tool for the media production environment with its multiple 1/4”-20 and 3/8” -16 tapped mounting points on all sides. This enables it to be mounted from any of its sides and allows peripheral equipment to be placed around it. It features a spring loaded jaw which enables easy one hand placement and retrieval of the tablet with or without a protective case.
Its easy adjustment to fit most sized tablets on the market also makes it very adaptive to frequent changing tablet sizes in a production environment. The adjustment knob can tighten down to add additional security if the tablet is used in vibrating situations like in a car. It's lined with a protective non slip rubber which helps to hold it securely in place.
Specifcations
| Barcode | N/A |
|---|---|
| Manufacturer | 9.Solutions |
| Connections |
(6x) 1/4"-20 Female Mount (2x) 3/8"-16 Female Mount |
| Max Load Capacity | N/A |
| Product Weight (lb) | .54 lb (247 g) |
| Country of Manufacture | China |
| Package Contents |
(1x) Tablet Holder |
Atomos AtomX GigE/NDI - Modular Expansion for Ninja V
$ 195.00 - Sold Out
Atomos AtomX GigE/NDI - Modular Expansion for Ninja V
Atomos SKU: ATOMXGIGE1 | Helix SKU: ATOMXGIGE1
Overview
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard.
The AtomX Ethernet/NDI module has a wired ethernet (1 GigE) connector that makes it possible to deliver live broadcast-grade video over IP networks. Newtek’s NDI technology harnesses this - allowing for simple installation and control of multi-camera networks, replacing traditional SDI cabling. The AtomX Ethernet/NDI module has NDI input and output with encode, decode, control and sync, allowing Ninja V users to transmit, distribute or receive and monitor NDI from any NDI source. Simply power on the Ninja V with AtomX Ethernet/NDI module installed, plug in your network cable, and your source will be automatically discovered on the NDI network ready for production.
The beauty of licensing technology from Newtek and Timecode Systems is that all their products are fully compatible with the relevant AtomX modules – so large and small productions currently using NDI’s or Timecode Systems’ class leading products can effortlessly integrate Atomos devices. The simplest application with Newtek is integration with their famous TriCaster products.
For Timecode systems the most basic use case is to sync a mirrorless camera to an appropriately equipped audio device for perfect automated sync sound – a huge benefit for anyone from vloggers through to broadcasters and Hollywood productions.
Specifications
| In/Outs | HDMI/1GigE |
| Ethernet | 1Gb/s |
| HDMI 2.0 |
4Kp60
|
| Channels |
6+
|
| Channels over 10G | 100 |
| Encode/Decode | NDI HDp60 |
| Latency | < 30ms |
Atomos AtomX Sync - Modular Expansion for Ninja V
$ 149.00 - Sold Out
Atomos AtomX Sync - Modular Expansion for Ninja V
Atomos SKU: ATOMXSYNC1 | Helix SKU: ATOMXSYNC1
Overview
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard.
The AtomX Sync module brings professional wireless timecode and sync plus Bluetooth control to Ninja V, perfect for enhancing DSLRs, mirrorless cameras or game recordings. You can sync and/or control literally thousands of Ninja V units equipped with AtomX Sync modules on the same network at ranges of up to 300m. Multi-cam shoots have never been so easy. AtomX modules bring broadcast level standards to any HDMI camera or source, making it easy to integrate large sensor consumer cameras easily into traditional live productions. AtomX Sync has a built-in battery extender that allows for continuous power when swapping batteries, ensuring uninterrupted operation of the Ninja V during a shoot.
The beauty of licensing technology from Newtek and Timecode Systems is that all their products are fully compatible with the relevant AtomX modules – so large and small productions currently using NDI’s or Timecode Systems’ class leading products can effortlessly integrate Atomos devices. The simplest application with Newtek is integration with their famous TriCaster products.
For Timecode systems the most basic use case is to sync a mirrorless camera to an appropriately equipped audio device for perfect automated sync sound – a huge benefit for anyone from vloggers through to broadcasters and Hollywood productions.
Specifications
| Range | 300m |
| Frequency | 1GHz/Bluetooth |
| Sync | Timecode |
| Frame Rate | 60p, HD/4K |
| Control | Master/slave |
| Networked Devices | 1000+ |
| Continuous Power | 7 mins |
Atomos Coiled Mini to Full HDMI - 30cm
$ 29.00 - Sold Out
Atomos Coiled Mini to Full HDMI - 30cm
Atomos SKU: ATOMCAB008 | Helix SKU: ATOMCAB008
Overview
Atomos Coiled Mini to Full HDMI - 30cm
Atomos Ninja V - 5" 4Kp60 Monitor Recorder
$ 599.00 - Sold Out
Atomos Ninja V - 5" 4Kp60 Monitor Recorder
Overview
Eliminate your camera’s internal compression and time limits – record up to 4Kp60 10-bit HDR video direct from your camera's sensor over HDMI 2.0. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive! And when you’re done, your edit-ready ProRes and DNxHR recordings are stored on affordable SSD drives.
The Ninja V displays 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. See your images clearly in daylight on the near edge-to-edge anti-reflection screen. Ninja V can be calibrated for perfect color accuracy every time, and also enables playout to HDR or SDR TV.
The new Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000 nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 320g and measuring only 25mm thick – easily attaching to any camera rig.
AtomOS allows accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't complete until checked; Ninja V allows instant playback, slow motion and frame-by-frame analysis for immediate review.
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
Ninja V files are available immediately on your Mac or PC. Tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere and Avid Media Composer. Both video and gaming workflows are supported for the fastest path to your audience.
We have worked closely with our drive partners at Angelbird and Sony to bring you the AtomX SSDmini. These tiny drives are only 7mm high and 80mm long. They retain the same SATA III connector as traditional SSDs and they are backward compatible with our range of Ninja, Shogun and Sumo devices.
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard. The expansion system offers endless scalability and is demonstrated by the first of many modules - the AtomX Ethernet/NDI® $199 and the AtomX Sync $149 announced at IBC 2018. These dock into the AtomX port and instantly add important features like NDI® over ethernet and Wireless Sync and Bluetooth control to the Ninja V.
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.
Specifications
| Weight | |
|---|---|
| Without batteries & media | 360g / 12.7oz |
| With batteries & media | - |
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
| Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power | |
|---|---|
| Operating power | 10 - 19W |
| Compatible batteries | NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) | 5200mAh - up to 2hrs (monitor & record 4K +60p) |
| 7800mAh - up to 3hrs (monitor & record 4K 60p) | |
| DC In | |
| Continuous power * Patent pending |
Continuous power with external adaptor* |
| Touchscreen | |
|---|---|
| Size | 5” |
| Resolution | 1920 x 1080 |
| PPI | 427 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ10k, HLG |
| HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1000nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | - |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | - |
| SDI to HDMI | - |
| AtomXpansion Video Audio Power Extender In/Out | |
|---|---|
| Video | Up to 4Kp60 |
| Audio | 12 channels digital 24-bit 96KHz |
| Power | 5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i, 720p; 50/60p |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | - |
| Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out | 3.5mm |
| Built-in speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | - |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock / LTC | Yes / - / - |
| CDNG (Recorded content) | N/A |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Ninja V unit, Master Caddy II x 1, 12V-3A AC power supply |
| Optional extras |
Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, EVA case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood Power Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
Atomos Screen Protector for Ninja V
$ 36.50 - Sold Out
Atomos Screen Protector for Ninja V
Atomos SKU: ATOMLCDP03 | Helix SKU: ATOMLCDP03
Overview
Matte protector sheet for 7” models
Atomos SUMO19 - 19" HDR Production Monitor - Recorder
$ 1,995.00 - Sold Out
Atomos SUMO19 - 19" HDR Production Monitor - Recorder
Atomos SKU: ATOMSUMO19 | Helix SKU: ATOMSUMO19
Overview
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Live switch four 1080p channels and record each, plus the program out, as separate ISOs. Switch between feeds intuitively on-screen with cueing, cross fade and hard cuts. Use XML Metadata tags to generate instant multi-camera edits that replicate on your timeline for easy adjustment. Save space by replacing several boxes in your rack with a single Sumo19.
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.
Specifications
| Weight | |
|---|---|
| Without batteries, media & stand | 5.45kg / 12.0lb |
| With stand | 6.0kg / 13.2lb |
| Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
| Construction | Aluminium alloy chassis with built in armor protection |
| Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
| Power | |
|---|---|
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
| Input voltage (battery) | 14.4V nominal |
| Battery time | Depends on Watt Hours specification of battery used |
| DC In | 1 x DC in (12 - 16.8V) |
| Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
| Touchscreen | |
|---|---|
| Size | 19” |
| Resolution | 1920 x 1200 |
| PPI | 120 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1200nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Raw to: ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
| Headphone Out | 3.5mm |
| Built-in Speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock | Yes / Yes |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
Atomos Sunhood for Ninja V
$ 114.00 - Sold Out
Atomos Sunhood for Ninja V
Atomos SKU: ATOMSUN007 | Helix SKU: ATOMSUN007
Overview
Sunhood for Atomos Ninja V
Atomos USB-C 3.1 Docking Station
$ 75.00 - Sold Out
Atomos USB-C 3.1 Docking Station
Atomos SKU: ATOMDCK004 | Helix SKU: ATOMDCK004
Overview
Dock SSD/HDD to Mac/PC
Benro Move Over 12 900mm Slider C12D9
$ 594.95 - Sold Out
Benro Move Over 12 900mm Slider C12D9
Features:
- Supports loads up to 26.5 lb
- 35.4" carriage travel
- 4-bearing carriage provides smooth and quite operation
- Weighted flywheel with rubber track belt drive
- 22mm diameter carbon fiber rails
- Fixed 3/8"-16 screw for attaching an optional flat base tripod head
- Cheese plate with multiple threaded 1/4"-12 and 3/8"-16 holes for center mounting slider
- 3/8"-16 adapters on end blocks for mounting on two tripods; adapters are removable for mounting on light stands
- Adjustable all-terrain legs and articulating rubber feet
- Built-in bubble level
- Carrying case included
Specifications:
| Maximum Load | 26.5 lb (12 kg) |
| Carriage Travel | 35.4" (90 cm) |
| Attachment Screw Diameter | 3/8"-16 |
| Mounting | Center Cheese Plate: 1/4"-20 and 3/8"-16 threads End Blocks: 5/8" ports (3/8"-16 female adapters included) |
| Rail Diameter | 0.87" (22 mm) |
| Length | 47.6" (121 cm) |
| Weight | 9.8 lb (4.5 kg) |
| Packaging Info | |
|---|---|
| Package Weight | 22.65 lb |
| Box Dimensions (LxWxH) | 51.0 x 11.8 x 10.8" |
Deluxe Leather Case PSC-2050 Gray
$ 4.99
Deluxe leather case psc-2050 gray.
Dot Line Hands Free Video Stabilizer
$ 159.95
Dot Line Hands Free Video Stabilizer
Dot Line SKU: DL-V9 | Helix SKU: DLV9
Overview
Body harness type equipment steady support for hands free operation.
The V9 is fully adjustable for any apparatus position. Excellent for video imaging, binoculars, long lens photography without the need for a monopod or tripod. Designed for mobility, the V9 comes with a camera tilt-head and quick release plate.
Hands Free Video Stabilizer by Dot Line
Specifications
Product Weight: 3lbs
Item Includes
- Carrying Case
Fotodiox CamDolly Cinema Systems + Two Snake Track Flexible Rails (2x Rails)
$ 3,649.95
Fotodiox CamDolly Cinema Systems + Two Snake Track Flexible Rails (2x Rails)
MFR SKU: CamDolly-2x-Rail-kit | Helix SKU: FXCamDolly2xRailkit
Overview
The World's Most Flexible Camera Dolly and Slider System
Product Highlights:
- Portability: System packs into three individual custom-fit cases, the heaviest of which is less than 50 lbs. Carry them between shoots, load them into any car, even check them onto a plane.
- Gigantic Weight Load Capacity: The CamDolly Cinema Systen can take more than 550lbs of weight, enabling you to mount it with any camera and all the shabang you need… and you can even ride along if you want to.
- Use Any Tripod: Universal Tripod Holders can take whatever tripod you have.
- Full Kit includes 50ft (15.24m) of SnakeTrack: For extra-long runs we’ve found the longest flexible solid rubber track on the market.
- Track Ends for Any Length Tracks: The Track Ends provided will enable you to use any length pipes from your local hardware store with diameter from 0.8inch (20mm) to 1.4 inch (35mm). Along with Track Supports, if you’re going to use long rails, you’ll be able to support in 2 sections to prevent curving because of the weight.
- Limited 2-Year Manufacturer Warranty
Overview:
Whether you need a Ride-On Track Dolly, Ride-On Doorway Dolly, Heavy Duty Slider, Tabletop Dolly, or 360 Degree Orbit Dolly, the CamDolly has you covered. All you need is 15 minutes to assemble your CamDolly into its five different protocols to capture five completely different types of dolly shots.
Now you can bring a comprehensive dolly system to the shoot in your hatchback.
Once built, the CamDolly can support more than 550 pounds: more than enough capacity for a ride-on operator, your tripod, and any camera - DSLR or large cinema camera, whether you're shooting digital or film. Capable of riding a metal track, we designed the CamDolly with our SnakeTrack Flexible Rail in mind as a super-portable way to get complicated curves that would otherwise be impossible. Simply double the rail up, and you have a dual track that will give you a shot that's more than 20 feet long, or use 2 lengths of parallel rail for a 50 ft run. Every 50 ft. length of SnakeTrack Flexible Rail comes with a bucket bag for easy transportation.
Shoot with your own tripod and tripod head. Since there are so many different kinds of tripod feet, we've created universal "leg cups". Place the feet of your tripod into the cups, then lash them in with the included zip ties. We also recommend securing the tripod with some bungees or a cargo strap.
Instead of shooting with a tripod, you can also use a bazooka. We provide a bazooka mount with every CamDolly Cinema System kit. When you're shooting in tabletop or slider mode, you can directly attach your bowl tripod head to the main core piece of the CamDolly. The kit includes bowl adapters for 75mm, 100mm, and 150mm bowl mounts.
Building each of the different modes takes only a few minutes, and you can even fold down the partially-built dolly to make it easy to carry to and from your location. Perfect for cold weather: build the dolly indoors, remove four screws, fold down the CamDolly, walk out to your location, unfold CamDolly, and reinstall the four screws. Ready to go in under 60 seconds.
Five Main CamDolly Modes:
Ride-On Track Dolly - You can position the tripod and seat in any of several configurations, depending on the action that you're covering. The included push/pull T-bar gives your dolly grip control over the speed of your dolly move. The track wheels can ride on metal track, or the recommended SnakeTrack Flexible Rail. A pair of special compensation legs make it easy to negotiate the curves of the rubber rail, as well as smooth out any uneven rubber rail layouts.
• Straight or curved shots
• Compatible with any track
• 100ft of flexible rubber track
Ride-On Doorway Dolly - The tripod and seat mount in any of several ways, depending on your direction of travel. You can mount a set of four skate wheels (for shooting on smooth floors), or a set of four pneumatic tires for rougher terrain or carpet. A pair of special Compensation Legs make it easy for the dolly grip to use the push/pull T-bar to steer the dolly.
• Pneumatic wheels for smooth ride
• Sit & Ride
• Push and pull in any direction
Heavy Duty Slider - There are tons of great sliders out there. The problem is that most of them are for short runs, and only work with smaller sized cameras. With CamDolly, your run can be 8 feet, 12 feet, or even longer. In stead of high cost specialized rails, simply pick up some 30-35mm pipe at a home improvement store. The CamDolly Cinema System includes a pair of adjustable rail ends. You can either operate the Slider at ground level, or raise the slider up on C stands or light stands, and use the included pair of supports to eliminate sagging.
• Versatile & reliable design
• Ultra smooth moves and fluid operation for studio and outdoor cinematography
• A Camera Slider that can take on your fully rigged Arri Alexa with Optimo 24-290 lens, your DSLR camera or your iPhone
Tabletop Dolly - Using only the Core of the CamDolly, you can use this compact mode to do dolly shots on a tabletop, or very low angle shots on the floor. You can mount your tripod head directly onto the Core using one of the included bowl mount adapters. Attach the push-pull bar to create dramatic floor level dolly shots. You can also attach the push/pull bar directly to one of the wheels in order to steer the dolly.
• Works great where space is a problem
• Ultra compact
• Super light weight but high payload (over 440 lbs/200 kg)
• Use it for straight or arching shots
360° Orbit Dolly - attach three or four wheels (either skate wheels or pneumatic tires) to the CamDolly Core, or use extender legs with a full-sized tripod. You can lock the wheels to specific degrees to get a smooth, graceful, repeatable arc.
• Take a perfect 360 Degrees
• Set it up with any camera and any tripod
• For low shots, table top shots or high shots
• Push & pull in any directions
You can see why we call it a "Cinema System”. With the modular CamDolly, you’ve got the right dolly for whatever the shot calls for. You can change between modes in just a few minutes. The modular design also makes CamDolly more portable that a typical dolly. A single person can carry CamDolly to your location in 3 luggage sized cases, the heaviest of which is 50 pounds. Even with the SnakeTrack Flexible Rail, a whole CamDolly setup can fit in a compact car.
To make sure the idea was solid, a year was spent hand building prototypes. These went to independent film producers as well as friends at the majors like Disney, Pixar, Warner Brothers. The crew who make Hawaii 5-0 use CamDolly too. They all agreed that CamDolly would do a lot of good for a lot of people. We took all of their feedback and created the final version of CamDolly. This ultra-configurable camera dolly gives you an entire studio's worth of options. Add beautiful dolly shots to your film and video!
Performance:
- Adjustable Swivel Track Wheels - If you will use tracks from other systems or even our Solid Flexible Rubber Track, you will be able to mount the Track Wheels in the way that enables the full 20 cm (8 inch) swivel to compensate for the track width difference.
- Low or High Shots - Shot on a table or on the floor for those low shots. But when space is a problem, you can mount the CamDolly Table Top with your tripod using our Universal Tripod Holders and shoot an over the shorter shot.
- Take a Straight or a Perfect 360 Degrees Shots - Dialing in different degrees by turning the wheels will give you straight shoots and circular shots with any diameter distance from your subject. You can also make the camera turn around it’s center or lock it down completely and use it as a Tripod.
- Setting Up In Under 10 Minutes - One of the best things about the CamDolly is that any configuration can be set up in literally minutes. The Table top takes only about a minute and Tracking Camera Dolly with the seat and push and pull T-bar takes about 8-10 minutes.
- Compatible with ANY Camera - Also compatible with any DSLR or with your favorite SMART PHONE
- Bucket Bag for SnakeTrack - Minimize tangles by keeping each section of track in its own case that’s super easy to carry and transport.
- Soft Cases for All the Parts - Never loose any part of the CamDolly because every last screw has it’s own place in the foam. After the shoot, put everything in the cases. Then take one look and you will know if you have any parts still laying around.
Specifications:
Rhino Carrying Case 24"
$ 100.00
Rhino Carrying Case 24"
Rhino SKU: SKU094 | Helix SKU: RHSKU094
Overview
PRODUCT DESCRIPTION:
The Slider Carrying Case is a padded soft shell case that is designed to carry your complete Rhino Slider setup when you’re filming locally. It allows you to store your Rhino Slider with Arc II, Focus, and Motor attached so you don’t have to take down your kit everytime you film at a new location. Setup is as simple as mounting to a tripod using the new Tripod Quick Mount System and powering your gear on.
Note: This version is slightly longer than the previous carrying case to allow for the longer motor to fit assembled.
Fits:
- Assembled Rhino Slider 24” or 42” (with Arc II, Focus, and Motor attached)
- Interchangeable Rails (on 42” version only)
Features
- Safely carry your entire Rhino Slider setup completely assembled
- Internal straps secure your slider
- Accessory pocket on the outside
- Padded shoulder strap
In the box
- Slider Carrying Case 24”
Rhino Everyday Backpack
$ 80.00 - Sold Out
Rhino Everyday Backpack
Rhino SKU: ROV005 | Helix SKU: RHROV005
Overview
The ROV Everyday Backpack is custom designed to fit your ROV Everyday Slider. It allows you to take ROV everywhere your camera does to capture beautiful cinematic slider shots.
Features
- Carry and protect your ROV Everyday Slider
- Durable nylon construction
- Side handle for easy carry
- Accessory pockets for your mobile lenses and gear
In the box
- Everyday backpack
Rhino Slider 24" Belt
$ 5.00 - Sold Out
Rhino Slider 24" Belt
Rhino SKU: SKU262 | Helix SKU: RHSKU262
Overview
This is the belt for a 24” Rhino Slider. Buy this if you’re looking for a replacement if yours got lost.
In the box
- Rhino Slider 24” Belt
Rhino Slider 42" Belt
$ 7.50 - Sold Out
Rhino Slider 42" Belt
Rhino SKU: SKU263 | Helix SKU: RHSKU263
Overview
This is the belt for a 42” Rhino Slider. Buy this if you’re looking for a replacement if yours got lost.
In the box
- Rhino Slider 42” Belt
Rhino Slider Carriage Assembly
$ 210.00
Rhino Slider Carriage Assembly
Rhino SKU: SKU236 | Helix SKU: RHSKU236
Overview
Rhino Slider Left Leg Assembly
$ 30.00
Rhino Slider Left Leg Assembly
Rhino SKU: SKU238 | Helix SKU: RHSKU238
Overview
This is the Left Leg for a Rhino Slider. Buy this if you’re looking for a replacement or if you want to build out a slider from your spare rails.
In the box
- Rhino Slider Left Leg
Rhino Slider Right Leg Assembly
$ 30.00
Rhino Slider Right Leg Assembly
Rhino SKU: SKU237 | Helix SKU: RHSKU237
Overview
This is the Right Leg for a Rhino Slider. Buy this if you’re looking for a replacement or if you want to build out a slider from your spare rails.
In the box
- Rhino Slider Right Leg
Rhino Slider Upgrade Kit
$ 350.00
Rhino Slider Upgrade Kit
Rhino SKU: SKU235 | Helix SKU: RHSKU235
Overview
This kit allows you to turn your spare rails into a complete Rhino Slider. If you have an Ultimate Slider Bundle or just an extra set of rails, use this kit to streamline your workflow if you don’t want to swap out rails every time your needs change.
Note: If you don’t have a spare belt with your rails you’ll need to buy one for this kit to be motorized.
In the box
- Rhino Slider Carriage
- Pulley End Plate
- End Plate
- 2x Right Leg
- 2x Left Leg
Rhino Ultimate Slider Bundle with Soft Case
$ 3,550.00
Rhino Ultimate Slider Bundle with Soft Case
Rhino SKU: SKU255 | Helix SKU: RHSKU255
Overview
The Ultimate Slider Bundle equips you with a complete 4-axis slider setup that can capture anything from a dynamic interview with a 15lb cinema camera to a vertical day to night time-lapse with a mirrorless setup.
Includes
Rhino Slider Pro 42”
Rhino Arc II
Rhino Focus
Rhino Motor - High Torque
Rhino Motor - High Speed
Carbon 24” Rails
Slider Soft Shell Case
International charger
Mounting tool and bottle opener
