Atomos Ninja V - 5" 4Kp60 Monitor Recorder
$ 599.00 - Sold Out
Atomos Ninja V - 5" 4Kp60 Monitor Recorder
Overview
Eliminate your camera’s internal compression and time limits – record up to 4Kp60 10-bit HDR video direct from your camera's sensor over HDMI 2.0. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive! And when you’re done, your edit-ready ProRes and DNxHR recordings are stored on affordable SSD drives.
The Ninja V displays 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. See your images clearly in daylight on the near edge-to-edge anti-reflection screen. Ninja V can be calibrated for perfect color accuracy every time, and also enables playout to HDR or SDR TV.
The new Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000 nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 320g and measuring only 25mm thick – easily attaching to any camera rig.
AtomOS allows accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't complete until checked; Ninja V allows instant playback, slow motion and frame-by-frame analysis for immediate review.
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
Ninja V files are available immediately on your Mac or PC. Tag on-the-fly while recording for direct-to-edit look up in Final Cut Pro X, Adobe Premiere and Avid Media Composer. Both video and gaming workflows are supported for the fastest path to your audience.
We have worked closely with our drive partners at Angelbird and Sony to bring you the AtomX SSDmini. These tiny drives are only 7mm high and 80mm long. They retain the same SATA III connector as traditional SSDs and they are backward compatible with our range of Ninja, Shogun and Sumo devices.
Modularity is at the heart of the Ninja V with a bi-directional high speed expansion port breaking out connectivity for I/O of video, audio and power. Atomos created AtomX to ensure users could adapt and connect to any legacy or future wireless or wired video standard. The expansion system offers endless scalability and is demonstrated by the first of many modules - the AtomX Ethernet/NDI® $199 and the AtomX Sync $149 announced at IBC 2018. These dock into the AtomX port and instantly add important features like NDI® over ethernet and Wireless Sync and Bluetooth control to the Ninja V.
Like all Atomos Monitor/Recorders, Ninja V enables audio input directly from your camera. Choose from digital source via HDMI, or analogue input via the stereo 3.5mm line/mic socket, depending on your rig.
Specifications
| Weight | |
|---|---|
| Without batteries & media | 360g / 12.7oz |
| With batteries & media | - |
| Dimensions (W x H x D mm) | 151 x 91.5 x 31mm |
| Construction | Aluminium alloy chassis with ABS polycarbonate back plate |
| Mounting points | 1/4-20 UNCscrew mount; 1x top, 1x bottom |
| Power | |
|---|---|
| Operating power | 10 - 19W |
| Compatible batteries | NP-F series and supporting accessories |
| Input voltage (battery) | 6.2V to 16.8V |
| Battery time (based on 2 x 7.4V) | 5200mAh - up to 2hrs (monitor & record 4K +60p) |
| 7800mAh - up to 3hrs (monitor & record 4K 60p) | |
| DC In | |
| Continuous power * Patent pending |
Continuous power with external adaptor* |
| Touchscreen | |
|---|---|
| Size | 5” |
| Resolution | 1920 x 1080 |
| PPI | 427 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| HDR Recording (Gamut) | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ10k, HLG |
| HDR Monitoring (Gamma) | Sony SGamut / SGamut3 / SGamut3.cine / BT2020 Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| HDR Monitoring (Gamut) | Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1000nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | - |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | - |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | - |
| SDI to HDMI | - |
| AtomXpansion Video Audio Power Extender In/Out | |
|---|---|
| Video | Up to 4Kp60 |
| Audio | 12 channels digital 24-bit 96KHz |
| Power | 5V-16.6V |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Video to ProRes / DNxHR (DNx utilizes a .MOV wrapper) |
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K 1080p; 24/25/30/50/60/100^/120^ 1080i; 50/60i, 720p; 50/60p |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | - |
| Audio | Line in / Mic in / Headphone out 2ch 48kHz 24-bit |
| Headphone out | 3.5mm |
| Built-in speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | - |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock / LTC | Yes / - / - |
| CDNG (Recorded content) | N/A |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion. |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion. |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Ninja V unit, Master Caddy II x 1, 12V-3A AC power supply |
| Optional extras |
Accessory Kit: 2 x battery, 1 x charger, 1 x power supply, EVA case, USB dock, control cable, Dtap cable, Master Caddy x 4, Power supply, Sun hood Power Kit: 2 x battery, 1 x charger, 1 x power supply Other: Atomos HDMI cable, X-Rite i1DisplayPro calibration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
Atomos SUMO19 - 19" HDR Production Monitor - Recorder
$ 1,995.00 - Sold Out
Atomos SUMO19 - 19" HDR Production Monitor - Recorder
Atomos SKU: ATOMSUMO19 | Helix SKU: ATOMSUMO19
Overview
Unlock the true potential of your RAW cinema camera with the Sumo19. Preserve your sensor’s pristine pixels in ProRes RAW at up to 5.7kp30, 4kp120 DCI/UHD and 2kp240 DCI/HD. CDNG supports up to 4kp30 DCI. Sumo19 is compatible with Sony FS series, Canon C300MKII/C500 or Panasonic EVA-1/Varicam LT. Record up to 4kp30 in CDNG.
HDR really comes to life on the Sumo19. It’s 19” 1920 x 1080 LCD panel with 10-bit processing takes the RAW/Log/PQ/HLG output from cameras or games consoles and precisely maps to display 10+ stops of dynamic range in real time. Use as a director or client monitor in the field, or an affordable HDR studio monitor.
Video from any camera or digital video source can be captured via SDI or HDMI. Record up to 10-bit 4:2:2 in ProRes or DNxHR codecs at 4Kp60 or 2Kp240, depending on the camera’s capability. The depth and quality of the image is preserved with data rates of up to 1.8Gbs, 220MB/s.
Live switch four 1080p channels and record each, plus the program out, as separate ISOs. Switch between feeds intuitively on-screen with cueing, cross fade and hard cuts. Use XML Metadata tags to generate instant multi-camera edits that replicate on your timeline for easy adjustment. Save space by replacing several boxes in your rack with a single Sumo19.
Use full size XLR connections with 48V Phantom power to connect two external microphones with balanced analogue audio recording and monitoring. The Sumo19 has dedicated meters, gain controls and adjustments for frame delay on each channel. Mic or line level audio can be seamlessly synchronized with embedded audio from HDMI and SDI sources.
Seamlessly connect any SDI or HDMI device for monitoring and recording. Cross convert between HDMI 2.0 and 1.5G/3G/6G/12G/Quadlink & Dual link 12G SDI in almost any combination and eliminate the need for specialist converters.
Specifications
| Weight | |
|---|---|
| Without batteries, media & stand | 5.45kg / 12.0lb |
| With stand | 6.0kg / 13.2lb |
| Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) 504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) |
| Construction | Aluminium alloy chassis with built in armor protection |
| Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side 3/8-16 screw; 2 x top, 2 x bottom, 1 x side VESA mount rear |
| Power | |
|---|---|
| Operating power | 75W |
| Compatible batteries | V-Lock / Anton Bauer via XLR terminal (optional mounting plates available) 95Wh or larger recommended. |
| Input voltage (battery) | 14.4V nominal |
| Battery time | Depends on Watt Hours specification of battery used |
| DC In | 1 x DC in (12 - 16.8V) |
| Continuous power * Patent pending |
Primary-secondary battery system. Change batteries without losing power Loop batteries continuously |
| Touchscreen | |
|---|---|
| Size | 19” |
| Resolution | 1920 x 1200 |
| PPI | 120 |
| Aspect ratio | 16:9 native |
| Color Gamut | REC709 HDTV |
| Look up table (LUT) support | 3D LUT (.cube format) |
| Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
| Technology | SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit |
| HDR | |
|---|---|
| AtomHDR | Yes |
| Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog |
| Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine Canon Cinema / BT2020 / DCI P3 / DCI P3+ Panasonic V Gamut Arri Alexa Wide Gamut |
| Bit depth | 10-bit (8+2 FRC) |
| Brightness | 1200nit (+/- 10% @ center) |
| HDR input (PQ/HLG) HDR output (PQ/HLG) |
Yes / Yes Yes / Yes |
| Video Input/Loop Out | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
| Signal | Uncompressed true 10-bit or 8-bit 422 (camera dependent) |
| Video Output (Play Out) | |
|---|---|
| HDMI | 1 x HDMI (2.0) |
| SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
| Signal | Uncompressed true 10-bit or 8-bit 422 (playback file dependent) |
| Supported Loop Out Formats | |
|---|---|
| HDMI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| SDI to SDI | 720p 50/60, 1080i 50/60 1080pSF 24/25/30 1080p 24/25/30/50/60/100/120 2160p 24/25/30/50/60 |
| Video Signal Conversion | |
|---|---|
| HDMI to SDI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| SDI to HDMI | 720p 50/60, 1080i 50/60, 1080p 24/25/30/50/60/100/120/200*/240* 2160p 24/25/30/50/60 |
| Supported Codecs & Frame Rates (Record & Playback) | |
|---|---|
|
Raw to: ProRes RAW ProRes CinemaDNG (CDNG up to 30p only) Avid DNxHD |
Sony^^ FS700, FS-5, FS-7, FS-7MkII 4K DCI; 24/25/30/50/60p 4K UHD; not supported in camera 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera Canon C300MKII/C500 CDNG 4K DCI; 24/25/30p 4K UHD; 24/25/30p 2K; not supported in camera 1080; not supported in camera Panasonic VaricamLT, EVA1 5.7K DCI; 24/25/30p (EVA1 ProRes RAW only) 4K DCI; 24/25/30/50/60p 4K UHD; 24/25/30/50/60p 2K; 24/25/30/50/60/100/120/200/240p 1080; not supported in camera |
| Onboard Processing | |
|---|---|
| Pulldown removal | 24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
| Audio In/Out (48kHz PCM Audio) | |
|---|---|
| HDMI | 2 or 8ch 24-bit, camera dependent |
| SDI | 12ch 48kHz 24-bit |
| Audio | 2ch balanced XLR analog in/out (direct XLR connection) Dynamic range >90dB Max signal level +24dBu Max analog gain +52dB 48V Phantom Power for Mic |
| Headphone Out | 3.5mm |
| Built-in Speakers | Yes |
| Remote Start/Stop | |
|---|---|
| HDMI | Auto HDMI Trigger Supported Protocols - Canon, Sony, Atomos Open Standard |
| SDI | SDI trigger camera selectable |
| Other | LANC control - Slave |
| Playback | |
|---|---|
| Playlist / Genlock | Yes / Yes |
| CDNG (Recorded content) | No support |
| ProRes (Recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion >= 100fps |
| Recording | |
|---|---|
| Pre-roll record | Yes (HD 8s, 4K 2s) |
| Custom timelapse | Yes |
| Meta data tagging | Yes (10 tags available) |
| Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives |
| Master caddy case | Master Caddy II (included) 75mm x 105mm x 12mm |
| Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
| Supported applications | Supported Applications FCPX/FCP7+ / Media Composer 5.0+ / Premiere 5.5+ EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / Autodesk Smoke 2015 |
| XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
| Accessories included | Sumo unit, 1x Master Caddy II, 1x BattWing mounting bracket with 4x screws, 2x Desktop Feet with 4x 1/4” Mounting screws, AC power supply |
| Optional extras | Sunhood, VESA battery adapter plate, Atomos HDMI cable, X-Rite i1DisplayPro calibration |
| Warranty | 1 year. Extended to 3 years on product registration |
All specifications correct when published, subject to E&OE.
24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution
* Available in future firmware updates
*** No HDMI spec for 2K DCI
^ From supported HDMI sources such as gaming consoles and graphics cards.
^^ Optional unit (XDCA-FS7) needed for Raw output.
Studio Assets 7" HDMI Viewing Monitor
$ 199.00
Studio Assets 7" HDMI Viewing Monitor
Studio Assets SKU: SA7000 | Helix SKU: SA7000
Overview
- Brightness Histogram
- Embedded Audio
- Peaking Focus Assist (Red, Green, Blue three colors optional highlight over parts of the image in focus)
- False Colors
- Zebra Exposure (1-100IRE adjustable)
- Check Field (Red, Green, Blue, Mono)
- Scan Mode (Under Scan, Over Scan)
- Anamorphic Mode (1.3x, 2.0x, 2.0x mag)
- Image Flip (H, V, H/V)
- Image Freeze
- Center Marker
- Screen Marker (80%,85%,90%,93%,96%, 2.35:1)
- Ratio Marker (4:3,13:9,14:9,15:9,16:9,1.85:1,2.35:1)
- Color Temperature Adjustment
- Nine Grid (Nine Grid Zoom: zoom one of the images to realize the full screen)
- Zoom (4X, 9X, 16X)
- Scan Mode (Under Scan, Over Scan)
- Pixel to Pixel
- Zoom All
- U/D Zoom
- L/R Zoom
Specifications:
- 480i/576i/480p/576p
- 1080i (60/59.94/50)
- 720p (60/59.94/50/30/29/25/24/23.98)
- 1080p (60/59.94/50/30/29.97/25/24/24sF/23.98/ 23.98sF)
- 4K UHD 3840×2160p (30/29.97/25/24/23.98Hz), 4096×2160p (24Hz)
(1x) Mini ball head mount with cold shoe
(1x) HDMI Cable
(1x) Sunshade
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